Last Wednesday the Museum of Modern Art’s (MoMA) latest PopRally, Decoding Alibis, which was sponsored by Hyperallergic, filled the galleries of the institution’s massive Sigmar Polke retrospective. The event offered a new and interactive way to view Alibis: Sigmar Polke 1963–2010: with the help of handful of unexpected guests picked by both PopRally and Hyperallergic. After a wonderfully informative introduction by Magnus Schaefer, the MoMA curatorial assistant who worked on the show, and some brief remarks by our editor-in-chief, Hrag Vartanian, we let some 500 attendees loose to explore the galleries and the speakers and performers within them.
Frank Trommler, cultural historian and Professor Emeritus of German, University of Pennsylvania, gave listeners background on the societal context for Polke’s art. Psychic Lauren, her sign-up sheet filled within minutes, read visitors’ palms, surrounded by Polke’s material experiments tinged with mysticism. Daniel Pinchbeck, author and expert in psychedelic shamanism, told tales of traveling to take drugs with different communities in search of enlightenment, in the process touching on the psychedelic nature of Polke’s output. Anny Aviram, a MoMA conservator, delved deeper into materials by highlighting the museum’s conservation of Polke’s “Watchtower” paintings, among other topics. And magician Matthew Holtzclaw wowed viewers with incredible tricks, including one — the first trick he learned — that uses a set of three cups visible in one of Polke’s pieces.
It was both an educational and exhilarating night. For those that missed it, here are some photos from the night.
The CIA’s abstract art collection isn’t as “secret” as a series of articles made it seem—but it’s more politically significant than it appears, and there are still unanswered questions. Here, photographs of the collection are accessible to the public for the first time.