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> <channel><title>Comments on: The Collaborative Mess: Keanu Reeves &amp; Street Art</title> <atom:link href="http://hyperallergic.com/1722/collaborative-mess/feed/" rel="self" type="application/rss+xml" /><link>http://hyperallergic.com/1722/collaborative-mess/</link> <description>Sensitive to Art and its Discontents</description> <lastBuildDate>Wed, 08 Feb 2012 18:34:00 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.1</generator> <item><title>By: Gaia</title><link>http://hyperallergic.com/1722/collaborative-mess/comment-page-1/#comment-353</link> <dc:creator>Gaia</dc:creator> <pubDate>Thu, 24 Dec 2009 18:38:34 +0000</pubDate> <guid
isPermaLink="false">http://hyperallergic.com/?p=1722#comment-353</guid> <description>Graffiti culture as defined by socioeconomic background that has now persisted to a place of rigid tradition versus street art as a practice amongst people who generally enjoy a more broad access to privilege. Thus, I feel street artists don&#039;t have the same territorial urgency. Also, graffiti is very much founded upon a hereditary, conventional system whereas street art is more disparate, horizontal and is applied very remotely. Artists generally get in the game on their own accord without much guidance beyond the internet. There is no mentor or crew to continue stringent conduct and methods.</description> <content:encoded><![CDATA[<p>Graffiti culture as defined by socioeconomic background that has now persisted to a place of rigid tradition versus street art as a practice amongst people who generally enjoy a more broad access to privilege. Thus, I feel street artists don&#8217;t have the same territorial urgency. Also, graffiti is very much founded upon a hereditary, conventional system whereas street art is more disparate, horizontal and is applied very remotely. Artists generally get in the game on their own accord without much guidance beyond the internet. There is no mentor or crew to continue stringent conduct and methods.</p> ]]></content:encoded> </item> <item><title>By: Hrag Vartanian</title><link>http://hyperallergic.com/1722/collaborative-mess/comment-page-1/#comment-352</link> <dc:creator>Hrag Vartanian</dc:creator> <pubDate>Thu, 24 Dec 2009 18:06:00 +0000</pubDate> <guid
isPermaLink="false">http://hyperallergic.com/?p=1722#comment-352</guid> <description>Good points Gaia...but while the street art environment tends to me congenial, I think it&#039;s interesting that there seems to be real animosity between graffiti writers &amp; street artists. I&#039;d love to discuss that more and why that is.</description> <content:encoded><![CDATA[<p>Good points Gaia&#8230;but while the street art environment tends to me congenial, I think it&#8217;s interesting that there seems to be real animosity between graffiti writers &#038; street artists. I&#8217;d love to discuss that more and why that is.</p> ]]></content:encoded> </item> <item><title>By: Gaia</title><link>http://hyperallergic.com/1722/collaborative-mess/comment-page-1/#comment-350</link> <dc:creator>Gaia</dc:creator> <pubDate>Thu, 24 Dec 2009 05:52:00 +0000</pubDate> <guid
isPermaLink="false">http://hyperallergic.com/?p=1722#comment-350</guid> <description>had the same exact contentions with new yorker positing that this spot was &quot;collaborative.&quot; I guess the closest term that I could come up with is collaboration through proximity. But while the intentions are questionable, the lax nature of the rules are not. Street Art in New York is a very congenial community that is aware of other artist&#039;s space but simultaneously forgiving when in fact the spot recycles with new work. Although ultimately I have to just be grateful for a mention in the article and a photodocumentor who possessed a knowledge of the physical layers of artists. I guess we can really thank BillyKid for that who supplied most of the images</description> <content:encoded><![CDATA[<p>had the same exact contentions with new yorker positing that this spot was &#8220;collaborative.&#8221; I guess the closest term that I could come up with is collaboration through proximity. But while the intentions are questionable, the lax nature of the rules are not. Street Art in New York is a very congenial community that is aware of other artist&#8217;s space but simultaneously forgiving when in fact the spot recycles with new work. Although ultimately I have to just be grateful for a mention in the article and a photodocumentor who possessed a knowledge of the physical layers of artists. I guess we can really thank BillyKid for that who supplied most of the images</p> ]]></content:encoded> </item> <item><title>By: guero518</title><link>http://hyperallergic.com/1722/collaborative-mess/comment-page-1/#comment-348</link> <dc:creator>guero518</dc:creator> <pubDate>Wed, 23 Dec 2009 21:44:30 +0000</pubDate> <guid
isPermaLink="false">http://hyperallergic.com/?p=1722#comment-348</guid> <description>true indeed!</description> <content:encoded><![CDATA[<p>true indeed!</p> ]]></content:encoded> </item> <item><title>By: The Digest. 12.23.09. &#171; C-MONSTER.net</title><link>http://hyperallergic.com/1722/collaborative-mess/comment-page-1/#comment-346</link> <dc:creator>The Digest. 12.23.09. &#171; C-MONSTER.net</dc:creator> <pubDate>Wed, 23 Dec 2009 15:10:52 +0000</pubDate> <guid
isPermaLink="false">http://hyperallergic.com/?p=1722#comment-346</guid> <description>[...] street art: Not as collaborative as New York Magazine thinks it is, says [...]</description> <content:encoded><![CDATA[<p>[...] street art: Not as collaborative as New York Magazine thinks it is, says [...]</p> ]]></content:encoded> </item> </channel> </rss>
