Alexander Cavaluzzo

Post image for Of Death and Disco Balls: Nightlife Art as Activism

An oversize facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980.

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Post image for 3D Printing the Future of Fashion

Last month’s spring/summer 2016 collection presentations are quickly fading from memory, and we as a culture are in the throes of divination. What’s the next trend? What’s the new black? Will fringe be back?

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Post image for Rare Stephen Sprouse Sketches Shine a Light on the 1980s Style Icon

If there were ever a fashion world equivalent of Andy Warhol, the universe found it in Downtown street kid Stephen Sprouse.

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Post image for Four Lingering Questions from Last Night’s Metropolitan Museum Gala

The fashion world’s elite came out last night in what is likely one of the most important events in the industry, as well as a huge fundraiser for the Metropolitan Museum of Art.

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Post image for The Uncompromising Queer Politics of Bruce LaBruce

On the heels of a desultory interpretation of a prolific artist’s life (looking at you, Björk), the Museum of Modern Art (MoMA) dedicated a retrospective to one of the foremost subversive queer filmmakers of our time.

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Post image for A Warhol-Inspired Performance Pops in the Wrong Ways

In general, it’s very difficult to assume the mantle of a Warholian legacy.

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Post image for A Documentary Offers a New Look at the House of Dior

In his new film, director Frédéric Tcheng traces the voyage that Raf Simons, the current creative director of the House of Dior, embarks upon when designing his first haute couture collection there.

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The Massive Men of Homoerotic Manga

by Alexander Cavaluzzo on February 19, 2015

Post image for The Massive Men of Homoerotic Manga

Amidst the magical girls and sentient robots that dominate the Japanese graphic novels and comics known as manga, pockets of intrigue and eroticism lie.

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Post image for Does It Suck? Another Look at ‘Showgirls’

Long brushed off as a horrendous excuse for a film, Paul Verhoeven and Joe Eszterhas’s epic flop Showgirls may have more than meets the eye. Or, at least, its vulgar superficiality may be worth critical re-evaluation

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Chelsea Rae Klein,

SAN FRANCISCO — Can the stories of queer soldiers being marginalized, brutalized, and disenfranchised in the United States be considered dreams, or would it be more appropriate to call them nightmares?

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