Alissa Guzman

Post image for The Great Divide: A Survey of Women in Art and Craft

Pathmakers: Women in Art, Craft and Design, Midcentury and Today is a brave exhibition currently on view at the Museum of Arts and Design.

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Post image for Kehinde Wiley’s “Politics of Perception”

The California-born, Yale-educated, Brooklyn-based painter Kehinde Wiley is an oddly polarizing artist, whose massive figurative paintings inspire both rage and adoration from his viewers.

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Post image for Fred Wilson on Isamu Noguchi’s Multifaceted Modernism

On a dismal, rainy Saturday in Manhattan, as dirty snow slowly melted to reveal winter’s detritus outside, the cheerful, humorous, and ever approachable Fred Wilson led a group of gallerygoers through Isamu Noguchi’s Variations.

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Post image for Rachel Lee Hovnanian’s Shallow Satisfactions

Gazing in as enraptured window shoppers, we saw a hospital-like infant ward where individual racks showcased near-immaculate babies. Grabbing my arm, my friend exclaimed: “Look, babies! This is perfect.”

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Post image for Searching for an Idea at Pulse Art Fair

Despite the upsides of Pulse, I found myself perusing the fair and wondering what has happened to conceptual art, or even just art with concepts.

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Art and Liquor in Greenpoint

by Alissa Guzman on February 20, 2014

Post image for Art and Liquor in Greenpoint

Chelsea openings, for the most part, are what they are: slightly glamorous events drawing fashionable crowds that are held in lovely, spacious galleries that tend to show predictable, big-name artists.

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Post image for Living or Being Seen in Alex Prager’s Sun-Soaked Psyche

The sentiments of Bethany Cosentino from the band Best Coast float through my head whenever I view the artwork of Los Angeles–based photographer and filmmaker Alex Prager.

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The Rise and Fall of Polaroid

by Alissa Guzman on July 30, 2013

Post image for The Rise and Fall of Polaroid

Instant: The Story of Polaroid, an entertaining book by the New York-based writer Christopher Bonanos, follows the long and twisting career of Edwin Land and his brainchild corporation, Polaroid.

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Post image for The Bold Murals of Puerta de Tierra, Puerto Rico

SAN JUAN, Puerto Rico — Sandwiched between the pristine cobblestone streets and bright houses of Old San Juan and the ritzy, high-rise condos of costal Condado lies the neighborhood of Puerta de Tierra. A thin strip of real estate, once part of colonial San Juan but situated just outside the walled city, this neighborhood was historically the first attacked by various invading armies.

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Post image for Manufactured Dreams — Stepping Inside Televisa

The Aperture Foundation publishes beautiful photography monographs that are designed to look more like a portfolio than a book; such is their emphasis on image plates over explanatory text. The Factory of Dreams: Inside Televisa Studios, one of Aperture’s recent publications featuring the Brooklyn-based photographer Stefan Ruiz, is a monograph that presents a single body of work. The Factory of Dreams is a collection of photographs Ruiz began working on eight years ago, depicting one of Mexico’s largest exports: televised fantasies of “love, wealth, and betrayal.”

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