Camille Paglia, who famously polarized artists and intellectuals throughout the 1990s, is back. In her new book, Glittering Images, her mission is to bring closure to an era she feels is full of art-world stunts and isolating pretension, in exchange for a return to art-world appreciation among a general audience and beyond. For her, museums are the locus of this new evolution, and we could not agree more. If museums are the way by which people experience and understand art, and if we want to change that experience or simply get more people involved in it, we must begin by examining the interface.