Daniel Larkin

Museums

Film Strips Shining Like Stained Glass

by Daniel Larkin on September 25, 2014

Jennifer West, 'Flashlight Filmstrip Projections' (2014)

PORTLAND, Oregon — A cavernous room in an abandoned factory that once made window coverings is showcasing a different kind of window. Artist Jennifer West has installed a set of transparent plexiglass frames covered with strips of 35mm and 70mm film.

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Theaters

When Drag Queens Crowd Surf

by Daniel Larkin on September 22, 2014

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PORTLAND, Oregon — Pepper Pepper went crowd surfing at her recent drag ball. Declaring to the crowd that it was all about collectivism, she dove out into the sea of hands with a large set of balloons attached to her back.

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Theaters

Machismo Ain’t Just for Boys Anymore

by Daniel Larkin on September 17, 2014

Eisa Jocson's Macho Dancer as part of PICA's TBA2014

PORTLAND, Oregon — “Macho doesn’t prove mucho,” socialite and actress Zsa Zsa Gabor once punned.

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Street

The Folly of Performance

by Daniel Larkin on September 9, 2014

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Performance art doesn’t have to be so heavy. It can be light, like diving head-first into the trash, in Tamar Ettun’s case.

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Museums

Before Selfies, There Were Self-Timers

by Daniel Larkin on September 4, 2014

Birgit Juergenssen,

People were photographing themselves long before the advent of iPhones. A collection of proto-selfies from the mid to late 20th century come together at the Austrian Cultural Forum for the summer exhibition Self-Timer Stories, curated by Felicitas Thun-Hohenstein.

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Post image for Would You Ignore 101 Chalk Outlines of a Black Male Body?

Whitney V. Hunter staged a performance as protest at Union Square on Saturday, August 24. He laid down on the cobbled square and traced his silhouette 101 times in chalk.

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Theaters

A Dance of Digital Shadows

by Daniel Larkin on June 27, 2014

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Technologies that didn’t exist 10 years are opening up fresh possibilities for choreographers and their collaborators. Interactive designer Matt Romein’s recent collaborative presentation with choreographer Sophie Sotsky harnessed new developments in motion-capture technology, video programming language, and sound editing to create a truly contemporary dance performance.

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Post image for Voguing Andy Warhol in Whiteface

In the early 1980s, Andy Warhol posed in drag for a series of Polaroid portraits. Wearing heavy white makeup in works like “Self-Portrait in Drag” (1981), he exudes a ghoulish glamour.

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Post image for Is the Planet Screwed? Artists at Bushwick Open Studios Ponder Nature’s Future

It’s no secret that climate change and pollution are wrecking the planet. Many artists at the Bushwick Open Studios were internalizing the doom and visualizing the gloom.

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Post image for Harlem ‘Hot House’ Reimagines Heaven and Hell

Artists have transformed a vacant townhouse in Spanish Harlem for New York’s 2014 Frieze weekend. The temporary exhibition, Hot House, spans three different levels loosely corresponding to the three parts of Dante’s Divine Comedy (1308–21): the basement is the Inferno, the middle section of the house is Purgatory, and the top is Paradise.

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