Jason Andrew

Post image for A Designer Experiments with Digital Design, After 60 Years of Handcrafted Furniture

Designer Wendell Castle has made a career out of challenging the boundaries that define art and furniture.

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Minimalist Duets in Sculpture and Dance

by Jason Andrew on October 20, 2015

Post image for Minimalist Duets in Sculpture and Dance

During the summer of 1960, dance artists Simone Forti, Nancy Meehan and Yvonne Rainer rented rehearsal space at Dance Players on Sixth Avenue so they could improvise together.

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Post image for The Brute Classicism of Joel Perlman

It’s been over twenty years since we’ve seen Joel Perlman’s large-scale sculptures on exhibition in New York City. The size and weight of his mighty works in welded steel can be a challenge to show, but Loretta Howard Gallery has pulled out all the stops rigging in five new large-scale works (four in welded steel and one in aluminum).

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After the Miami Art Fairs: 9 Artists to Watch

by Jason Andrew on December 13, 2013

Post image for After the Miami Art Fairs: 9 Artists to Watch

MIAMI BEACH — Today, the art fairs have become a nexus for “discovery.” Collectors, and moreover their art consultants, have come to rely almost solely on them.

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Post image for A Painter’s Retreat: Georgia O’Keeffe and Lake George

Glen Falls, NY — An ambitious exhibition on view this summer at the Hyde Collection is the first of its kind to explore the formative influence of Lake George on the art and life of Georgia O’Keeffe (1887-1986). O’Keeffe, the great Maiden of American Modernism, is celebrated most for the existential paintings she created out in the dry air of New Mexico, but as this exhibition attests, the works painted on the shore and in the hills around Lake George are among the most prolific and transformative of her seven-decade career.

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Post image for America’s Grand Gestures Reign Supreme Again in Basel

BASEL, Switzerland — Fifty-five years ago, the exhibition The New American Painting arrived at the Kunsthalle Basel. It was the first stop on a yearlong tour that touted the work of seventeen Abstract Expressionists before eight European countries — the first comprehensive exhibition to be sent to Europe showing the advanced tendencies in American painting. All but five of the original artists from the show had work on view at last weekend’s Art Basel, where postwar American painting and sculpture dominated the halls.

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Post image for Black Mountain College Veteran’s Curiosity Spurs Her Art

The brilliant and inventive mind of Susan Weil is on full display at the Sundaram Tagore Gallery through June 15. At 83, Weil has lived at the epicenter of the New York art world since the early 1950s, and although her art has been relatively overshadowed by that of her contemporaries, Weil’s current show has the makings of her best.

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Post image for The Emotive Musculature of Resurrection

Stephen Petronio has been a creative force in the dance world for nearly 30 years. The most compelling aspect of Petronio’s career, and most intriguing for me, is his desire to collaborate, inviting composers, musicians, and visual artists to take on an idea and expand it within and beyond the dance. For his current season at the Joyce, Petronio offers “Like Lazarus Did,” and with it heavy ideas of reincarnation and resurrection.

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Post image for A Blood on the Moon Fierceness: Fritz Bultman’s Paintings and Collages

Artist and editor Robert Motherwell proclaimed that of all the painters of his generation, Fritz Bultman was “the one [most] drastically and shockingly underrated.” A survey of his paintings is now on view.

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Post image for Less Is More at the Armory Show Modern

Let’s face it: navigating Armory Week and all its various satellites is a bitch. With so much art to see and endless booths to maneuver, it’s all very daunting. But we love it. Well, at least I love it.

Spontaneity and taxis are the two things I rely on the most. Spontaneity, because one should always open to possibilities, no matter what the schedule might dictate. Taxis, because who in their right mind wants to walk the five long-ass blocks to Pier 92, where the Armory Show’s Modern section was housed, from the subway (with a headwind off the Hudson River that somehow affects travel in both directions)?

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