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On May 24 the news broke that Detroit’s emergency manager, Kevyn Orr, was considering whether the city could or should sell off the art collection of the Detroit Institute of Arts (DIA) to help pay back its debts. The reactions pretty much range from “this is a bad idea” to “this is a terrible idea.”
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This week, the start of summer group shows, trespassing/transgressive placemaking, an electronic art festival, and hip-hop in the age of YouTube.
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Richard Serra’s “Shift,” an early land work made by the artist in 1972, has finally received the indefinite protection it deserves. The township council for King City, Ontario, voted last week to officially designate the sculpture a site of “cultural heritage value.”
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Pussy Riot member Maria Alekhina has ended her hunger strike 11 days after it began, and a Moscow court has rejected the group’s appeal, ruling that their jail terms were appropriate and the case was not political.
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One type of artwork Bushwick probably does not need more of these days is abstract painting. Another type it may or may not need more of is work in 3-D imaging and modeling (discuss). But two artists who use this medium in very different ways are being presented at gallery spaces near each other in Bushwick this weekend. The contrast is so good, it comes to seem like a purposeful pairing.
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There are a lot of studios in Bushwick, and a lot of white boxes and apartment galleries, too. If you need a break from any or all of those, I recommend venturing out to 299 Meserole Street, where recent alumni of Virginia Commonwealth University’s Sculpture and Extended Media MFA program have taken over part of a warehouse.
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A widespread worker strike across the UK has delayed openings and shut down galleries at dozens of major museums across the country. The series of three daylong strikes happening yesterday, today, and Sunday are part of a larger action coordinated by the Public and Commercial Services Union (PCS) against cuts to pay, pensions, and job conditions.
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We live in a world shaped by the proliferation not just of social media, but also of surveillance. Sometimes it seems as if we’re constantly presenting and re-presenting ourselves, selfies upon selfies, in an effort to counteract the official narratives imposed by others. It’s telling that the nonstop images flooding our eyes everyday generally fall into two categories: sponsored, advertised, sanctioned by some larger corporate or government (or both, since the two are ever more inseparable) body; and self-made/amateur.
This tension is at the heart of a tumblelog that’s fascinated me ever since I saw it mentioned on the Slog a few weeks ago: In Duplo.
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Once upon a time it was provocative, but today crowdsourcing in the art world is pretty much commonplace. There are crowd-curated exhibitions, crowdsourced prizes, volunteer transcription, and crowdsourced art/life. But the Georgia Museum of Art seems to be taking things to a new level: it’s asking visitors to vote on which paintings should be deaccessioned.
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Archeologists have discovered nearly 5,000 ancient paintings that depict humans, animals, astronomical imagery, and abstract designs in a series of caves in Mexico. Located near the Sierra de San Carlos mountain range, in the Burgos region of northeastern Mexico, the paintings are the work of three different hunter-gatherer groups that lived in the area before the early 16th-century Spanish conquest, the BBC reported.
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