Joseph Nechvatal

Post image for Wade Guyton and the Post-Media Question

PARIS — A backshift in the Parisian weather, from spring warm sun to cold gray, complemented the opening of Wade Guyton’s back-titled 26 avril – 7 juin 2008 exhibition at Galerie Chantal Crousel perfectly.

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Post image for Arles Well That Ends Well

ARLES, France — It first looked to be cold, gray, and rainy on the first April weekend in Arles, somewhat in stride with the general dour spirit of the French these days.

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Post image for Thomas Bayrle, the Host in the Machine

VILLEURBANNE, France — Rather than taking a neutral Warholian attitude towards art and the mass-produced, Bayrle’s is a critical practice of Pop art that closes the gap between the mass and the multitude by creating image-swarms where immanence meets excess.

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Post image for Artaud and Van Gogh Against Society

PARIS — In 1947, at the urging of Paris gallery owner Pierre Loeb, anguished French poet, actor, philosopher, madman, genius, playwright, and director Antonin Artaud fêted Vincent Van Gogh in a bizarre but exquisite text that rails against universal imbecility.

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Post image for Bill Viola’s Moving Void

PARIS — Free-floating habits are often hard to abandon. The term “video” as a definable medium — and thus “video art” — is now essentially archaic, due to the convergence of all capture technologies into post-media computer manipulated moving image/sound files.

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Art’s Post-Media Malaise

by Joseph Nechvatal on February 17, 2014

Post image for Art’s Post-Media Malaise

PARIS — The post-media suggestion itself has been the subject of deliberation for around two decades now. This audacious anthology cleverly brings some of these historical texts together, along with newly commissioned ones, to explore the shifting ideas and speculative practices associated with the idea of post-media.

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Post image for In Paris, Punk’s Curatorial Redemption

PARIS — Unlike the widely ridiculed Costume Institute show PUNK: Chaos to Couture, a show that examined punk’s impact on high fashion from the movement’s birth in the 1970s through its enduring influence today, Europunk: An artistic revolution, recently closed at Cité de la Musique, was rigorously periodic (ending in 1980) and broader in range.

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Post image for Wonder World, or Against the New Universal Exhibition

PARIS — Theatre of the World, currently on view at La Maison Rouge, raises the thorny issue of the individual and particular against the homogeneous collective.

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Post image for Philippe Parreno, Relational Puppetmaster

PARIS — My long encounter with Philippe Parreno’s vast but fey exposition Anywhere, Anywhere, Out Of The World was anything but otherworldly.

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Post image for Blowing Smoke: Robert Wilson Agog Over Gaga in Louvre Show

PARIS — I was lucky enough, and I am old enough, to have been in the audience of Philip Glass and Robert Wilson’s Einstein on the Beach in 1976 at the Metropolitan Opera House in New York, and then again at The Brooklyn Academy of Music in 1984.

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