Mark Sheerin

Post image for 365 Poetic Remembrances of the French Revolutionary Calendar

LONDON — The Scottish, London-based artist Ruth Ewan is being perfectly reasonable and polite when she says of the British monarchy: “It’s going to have to go at some point. Whether it’s through social struggle, or a natural event, they’re not going to be around forever.”

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Post image for From 18th-Century Tool Chest to 21st-Century Public Art Project

ROCHESTER, UK — Thanks to an association with Charles Dickens, North Kent is better known for literature than for contemporary art. But a new project by Adam Chodzko connects the two.

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Post image for A Portable Museum Makes Art on the Go

LONDON — Dr. Brad Butler, radical filmmaker, contemporary artist, and international traveller, is bantering with the down-to-earth staff of a bustling London café.

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Post image for A Gallery Looks Back on 40 Years of Showing Art in Brazil

Global recessions and armed crackdowns on protests are undoubtedly bad for art, but the old adage that hardship and suffering fuels creativity comes to mind when looking back at Brazil in the 1970s and considering the improbable success of Galeria Luisa Strina.

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Galleries

Tom Dale’s Pursuit of Nothingness

by Mark Sheerin on February 3, 2015

Post image for Tom Dale’s Pursuit of Nothingness

SOUTHAMPTON, UK — The British artist Tom Dale works at a time when speed has lost its innocence.

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Post image for With Tech, Satisfying a Need for Artistic Speed

BRIGHTON, UK — Attempting an interview with Chicks on Speed is a logistical challenge, as members of the art and music collective are dispersed around the world.

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Post image for Painting “Peaceful” Rather Than “Perfect”

LONDON — Regarding the use of photographs in painting, it’s no shortcut, at least not in the work of Ben Johnson.

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Post image for The Psychedelic and Porcine Provocations of Oreet Ashery

LONDON — If you like bacon and don’t have a menial job, here’s the show to make you feel bad.

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Post image for Between the Mystic and the Mundane: Charles Thomson Defends Stuckism

LONDON — Eighteen short months ago, Charles Thomson, the world’s most vocal champion of figurative painting, nearly hung up his brush. After some 30 years painting thick black lines and flat planes of color (“I called it Cloisonism, which was a 19th century practice which Van Gogh was involved with for a time”) the artist considered himself stuck. But this was only what the art world elite had always said about him.

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Artwork by Simon Faithfull

LONDON — For those not already aware of its existence, Middle England is, in its way, as mythical as Middle Earth. But copies of the Daily Mail outnumber the elvish runes.

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