PHILADELPHIA — Ally, an exhibition at the Fabric Workshop and Museum in Philadelphia, is a collaboration between artist Janine Antoni, choreographer Stephen Petronio, and movement artist and activist Anna Halprin.
Tara Sheena
Tara Sheena is a freelance dance artist living in Brooklyn. She hosts a podcast called No Pressure and writes about dance and performance from time to time. Her writing has appeared in Critical Correspondence, Art Observed, The Dance Enthusiast, DIY Dancer, Culturebot, Dance Informa, and the Huffington Post.
Posted inArt
The Tragedies and Triumphs of American Athletes of Color
At Fort Gansevoort Gallery, there is a new art exhibition with titular claim to the annual Division 1 men’s college basketball tournament.
Posted inPerformance
A Mashup of Ballet and Postmodern Dance
Dance is a curious thing: an art form that both defies and relies on genre distinctions.
Posted inArt
At a University Museum, an Exhibition Examines Student Debt
EAST LANSING, Mich. — On the sprawling grounds of Michigan State University, the Eli and Edythe Broad Art Museum is a sleek, modernistic storehouse amidst the dull brick buildings that populate the campus.
Posted inOpinion
Will Galapagos’s Move to Detroit Be a Blessing or a Curse?
I grew up in the Metro Detroit area as a dancer and performer who, inevitably it seems, ended up in Brooklyn a few days after graduating college. Is it time to turn around?
Posted inPerformance
Domestic Workers Air Their Dirty Laundry Onstage
Laudicieia Calixto and Rita Oliveira enter the space of the Abrons Arts Center’s Experimental Theater and find themselves in a somewhat familiar scene: a slightly cluttered apartment, littered with fancy gowns, full-length mirror, desk, phone, assorted wigs.
Posted inPerformance
An Abolitionist’s Work, in Present Tense
John Brown is so much more than historical matter or biographical trope in Moss’s world; he is an ideological framework, able to produce a compelling, albeit densely layered, performance work.
Posted inPerformance
Performing the Rituals of Rebellion
In our increasingly digital world, live performance still manages to bring us together, away from the keyboard, for a period of time, however brief. Attending a performance is a kind of ritualistic act, which I have been thinking about since witnessing DEBUT, a new performance work by choreographer Emily Terndrup and filmmaker Derrick Belcham.
