
Our crackpot team of researchers has uncovered this video of a secret meeting between Jerry “I hate relational aesthetics today” Saltz and Charles “people are vulgar now that I’m not king” Saatchi in a Finnish sauna.


Our crackpot team of researchers has uncovered this video of a secret meeting between Jerry “I hate relational aesthetics today” Saltz and Charles “people are vulgar now that I’m not king” Saatchi in a Finnish sauna.

WASHINGTON, DC — The crack epidemic in the Nation’s capital reached new heights yesterday when the news came out that the Washington Monument has a crack problem. The monument has been closed indefinitely and rumors are that the Congress is attempting to secure a room at Betty Ford for the 555 foot object. [SPOOF]

In a shocking revelation, appropriation artist Rob Pruitt admitted at a cocktail party last night that his “The Andy Monument” (2011), which was unveiled this week in New York’s Union Square, is actually a statue of Robert Storr, Dean of the Yale University School of Art. This news bomb has spectators around the world scratching their heads, wondering both who the hell Robert Storr is, and why Pruitt would prank the good people of New York in such an elaborate — and shiny — way.

Apparently Egypt is starting to get jealous of Greece and wants to repatriate Cleopatra’s Needle, the trophy of cultural dominance granite stele that’s been festooning Central Park since 1881. Too bad 129 years is totally long enough for finders keepers! Here are five reasons Egypt won’t get their stele back. So there.

We’re classy, so in response to the GOP’s attack on David Wojnarowicz’s “A Fire In My Belly” video, we want to go head to head with the fascists in the American right-wing political establishment and announce that their irrational frenzy has encouraged us to announce the “International Draw Jesus Day” event. Hyperallergic readers and fans can submit their own drawing of Jesus for publication on this blogazine on December 26th! [THIS IS NOT A SPOOF BUT IT IS FUNNY]

As soon as we heard that Isa Genzken’s “Rose” will replace Ugo Rondinone’s “Hell,Yes” (2001) on the exterior of the New Museum … we immediately thought Photoshop!
Our little digital collage experiments suggest that fiction is often more exciting that fact.
A friend suggested that the New Museum amass them all, and I would assume it would eventually look like a child’s bedroom floor strewn with colorful toys.