Posted inArt

Paying Attention at Moving Image 2011

The first thing that I noticed about Moving Image, an art fair based entirely around video works, was the relative calm. Gone were the crowds, gone were the collectors running rabidly from booth to booth, gone were the chatty gallerists and curators. Moving Image is a place to look at art and experience it one on one. It takes some time, but walking through the videos I definitely caught a few stand out pieces that would have been overwhelmed in an regular art fair display.

Posted inArt

The Dependent Art Fair Checks Into Chelsea

If people were complaining that The Independent was a scene with its cooler-than-thou veneer of globalization and slightly aloof exhibitors and audience, than they probably hadn’t seen The Dependent art fair, which was the dictionary definition of “art scene.” For four hours on a Friday night, two floors of the Four Points Sheraton hotel on West 25th St was transformed into an art fair for 16 galleries from near and far. These staples of the downtown scene staged their own hotel room fair as if to seemingly to prove how much they could pack two floors of this non-descript Chelsea hotel.

Posted inArt

Brooklyn’s First Art Fair

When the Verge art fair launched Verge Brooklyn, many Brooklyn galleries were peeved that the DUMBO-based event would take away from local galleries scenes. Why would they have to pay to be in an art fair in their own borough when Armory week was the only time they could get out of town collectors to their spaces? Even if the Verge Brooklyn fair began with a bumpy start it was able pull of something no one has tried before, an art fair in Brooklyn

Posted inArt

What is Art-xploitation?

Wayne Coe creates complicated sand paintings on the sidewalks and floors of New York using the language of gay male porn theater advertising from the 1970s and 1980s to create ads for contemporary artists. I caught up with the artist, who was performing for six hours yesterday as part of Brooklyn Art Now in DUMBO , to ask him about “art-xploitation,” which he says is “the use of male film hyperbole to sell art.”

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