As we prepare our posts on this weekend’s 2012 Bushwick Open Studios, we wanted to give you a sense of what we saw over the course of the last few days.
June 3, 2012
Required Reading
This week, inequality in the art market, is Tokyo provincial, the rise of Gerhard Richter, the new George W. Bush portrait, are online curators kidding themselves and more.
Time Out
“A literary event!” — every middlebrow doorstop of a novel gets saddled with that cliché. You’d think aesthetic significance could be determined by weight. Or that literature had no other time frame than that of the publishers’ seasonal catalogue, destined to wait a bit longer to be trashed than the daily paper, but not by much.
Nonetheless, something I’m prepared to call a literary event did take place earlier this year, when in its issue of February 9 the London Review of Books published a twenty-part poem or sequence by Denise Riley, “A Part Song.”
The Mysteries of One, Two, Three
This is what a small group of people — most of them artists living in and around New York — know. Xylor Jane is a singular figure, and her widely spaced exhibitions are regarded as events.
Crossed Signals: Brian Evenson’s Stories Blend Genre and Literary Conventions
Brian Evenson’s writing might well be, in the words of a character from his new story collection Windeye, published by the venerable Coffee House Press, a means of “capturing on paper and holding steady and immobile the various motions and bodies that constitute an event.” The twenty-five new stories collected here are all event-driven, narratives spurred into life by mysterious disappearances, communal meetings, or acts of stomach-churning violence.