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Post image for Worst.Press.Release.Ever: A Plea for Sanity at Marianne Boesky

Walking into the Marianne Boesky Gallery’s summer exhibition I Bleed Black, the first work I saw was a small drawing of actor Michael Urie, best-known for his role in Ugly Betty. I knew I was in trouble. However, the art was not even the most worrisome part of the exhibition. The bizarrely academic language in the gallery press release made me want to tear up the sheet of paper in front of the sweet-looking gallery assistant.

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Post image for New York Street Art: Alive & Kicking

2010 has begun with some fascinating street art, including works by Bansky, Shepard Fairey, Kid Acne, Ema, El Sol 25, TrustCorp …

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Post image for The Emergence of Real Pop Art: Jeffrey Deitch & Street Art

As the reality of Deitch’s appointment to MOCA sinks in, let’s take a step back and look at his role as a street art advocate. Was he the prophet for the scene or just one of many fans? And where could this all lead?

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Post image for An Experiment in Street Art Criticism

Coming across a work by Gaia on the street is a special experience. His work is intelligent, emotional, well-executed, and informed by the wider world. He looks beyond pop culture, where most street art gets stuck. His linocut prints and drawings, often of animals, are beautifully rendered and react to the intensity of the urbanscape and its manmade fauna.

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Post image for New Museum Ethics Quagmire Gets Its Own Unofficial Ad Campaign

The unfortunately titled Skin Fruit has already opened on the platinum coast of downtown Manhattan, formerly known as the Bowery. And guess what, not everyone is happy.

Last weekend while avoiding the art fairs, I spotted a fantastic poster in Chelsea that lampooned the New Museum and its new found taste for caviar. I did some sleuthing and tracked down the creative geniuses behind the campaign and found out what they had to say.

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Post image for 5 Great Works Of Internet-related Art

Far too often great art on the Internet gets lost amidst the clutter of virtual mediocrity, or simply gets far too buried in the “shared” list of your RSS aggregator of choice. We’ve done the detective work for you and present five great pieces of art that should be on your radar (or at least saved to a different Bookmarks folder) …

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Post image for Street Art Politics & Commercialization…How Far Is Too Far?

For a while now, people I come across here and there have cited Dan Bergeron, aka Fauxreel, as an example of a street art sell-out. Why? Because back in 2008 he partnered up with Vespa to post 324 seven-foot-tall Vespa Squareheads wheatpaste ads on the streets of Toronto and other Canadian cities as part of an ad campaign that combined his characteristic “photograffiti” style with a very commercial addition ― Vespa scooter handles. The works caused a backlash from people who thought he went too far. It is an approach to ad marketing that isn’t as original as it may seem and it even has its own name, murketing.

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Post image for And the Winner Is … Paddy Johnson!

After hundreds of votes and dozens of banter on the post, on Twitter & on Facebook, we are happy to announce that Paddy Johnson has been declared the official winner of the first ever Worst. Press. Release. Ever. competition.

The art blogosphere’s favorite art fag has crossed the finish line the victor with a whopping 72.3% of votes. Congratulations, Paddy!

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Post image for Worst. Press. Release. Ever. is Baaack... & It's a Battle!! Paddy Johnson Vs. Lyra Kilston

Today, we announce that our quest to find the worst piece of art PR in the universe has become a contest decided by our loyal readers and fellow netizens. For the first ever Worst.Press.Release.Ever. match up we’ve called on two friends of Hyperallergic to battle it out in a contest that will bestow on the winner bragging rights for eternity.

So, without further ado, I’d like to introduce the luscious Lyra Kilston, who is no stranger to Hyperallergic fans, and the ambrosial Paddy Johnson, aka Art Fag City, to rumble it out in a contest decided by your votes as to which is the WORST.PRESS.RELEASE.EVER!?!?

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Hypermedia

Available Online for Free

by Artie Vierkant on January 20, 2010

Post image for Available Online for Free

One of the most important social, political, and artistic concerns facing us today is the question of access: our ability to share media, our ability to take ownership of or simply to view films, music, and other forms of art. In the past, non-digital and only finitely reproducible media created a certain type of economic exchange and ownership which has long been upended by file sharing. Every day millions of people download and stream films on the Internet in an alternative form of exchange more related to cultural capital than economic capital. This is a political action accomplished as easily as downloading the flat version of Avatar.

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