Essays

Daniel Dezeuze,

For those who have been watching the critical misfortunes of Supports/Surfaces on the New York art scene over the years, it is a welcome surprise that, after decades of relative indifference, the movement finally seems to be getting some deserved attention.

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Tullio Crali,

The affection, if not outright idolatry, the Futurists held for machines and speed initially focused on automobiles and locomotives, but in the early 1930s artists like Tullio Crali, Gerardo Dottori, Tato (Guglielmo Sansoni), and Giacomo Balla turned their attentions skyward to produce glorifying images of planes.

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Essays

A Documentarian of Memory

by Michael Blum on August 21, 2014

Chris Marker, still from 'Level Five'

Chris Marker’s death two years ago, on the day of his 91st birthday, heralded a surge of renewed interest in the enigmatic French filmmaker. With an impressive retrospective centered on a digital restoration of the film Level Five (1997), the Brooklyn Academy of Music presses on with the project of rehabilitating the fringes of Marker’s career.

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Jeff Koons,

Recently, I read a statement by Kenneth Turan, film critic for the LA Times, that struck a chord. As a poet and art critic, it is impossible to ignore the reams of exaggeration I am bombarded with on a daily basis, from blurbs attesting to the gorgeous mastery to be found in a young poet’s first book to the unrivaled brilliance to be encountered in an artist’s most recent exhibition.

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Detail of work in Emily Jacir, 'Ex Libris' (2010–12)

Silenced, erased, censored — how then to represent this loss, this nothingness?

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Peter Acheson,

I first encountered Peter Acheson’s table sculpture several years ago. A strange thing that continues to change through the years, the weather and the seasons.

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Essays

The Elephant in Our Room

by Aram Saroyan on July 18, 2014

James Baldwin

LOS ANGELES — A central insight of James Baldwin’s writing had to do with the way racism diminished the racist as much or more than his victim.

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Post image for On the Maidan Uprising and ‘Imaginary Archive’ in Kiev

With a sharp tug, the soot-covered tire slides free from a pile stacked over my head. Then another. And another. Soon I have fifteen tires loosened.

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Post image for Running Numbers: The Conceptual Minimalism of Monika Wulfers

Public perception of the history of minimalist and conceptual art is dominated by male artists working out of New York City: Donald Judd, Carl Andre, Dan Graham, Sol LeWitt, Robert Morris, Dan Flavin, and so on. A recent 2014 show of neon “drawings” by the German-American artist Monika Wulfers at the Elmhurst Art Museum suggests that this paradigm is not the last word on the genealogy of minimalism.

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Post image for Garry Winogrand and the Perils of Posthumous Prints

A deserved tribute to Garry Winogrand is turning into an ethical morass that does no one any good.

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