Interviews

Post image for At 40, Punk Goes to (Richard) Hell

Punk is 40 years old, believe it or not. Now that it’s middle-aged, has punk become passé? Have the few protagonists who survived from the excesses of the era become flabby and bland? No, not necessarily — judging by punk icon Richard Hell, once known as the king of the Lower East Side.

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Post image for Artists Pick Artists: Carol Szymanski

The art of Carol Szymanski is based in language, bound up in the syntax of human communication, without being reduced to it. And the work is certainly conceptual.

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Post image for Beer with a Painter: Chris Martin

A couple of years ago, I heard Chris Martin give a talk to Columbia MFA students. Rather than the standard artist’s slide lecture, Martin brought along his conga drums and a small band, a girl wearing a metallic dress and carrying a boom box, and a couple of people who tore sheets from a book of Italian Renaissance drawings and handed them to audience members.

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Post image for Prada Marfa Vandal Speaks

Shortly after last week’s incident at “Prada Marfa,” Hyperallergic interviewed Joseph Magnano, aka 9271977, the man who vandalized Elmgreen & Dragset’s sculpture in the Texas desert.

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Post image for Thank God It’s Not Abstract: A Ridykeulous Interview

ST. LOUIS — Nicole Eisenman and A.L. Steiner’s current exhibition Readykeulous by Ridykeulous: This is What Liberation Feels Like™, at the Contemporary Art Museum St. Louis, is a heady riot of neon, smut, Sharpie scribbles, editorial angst, lesbian supremacist propaganda, and impassioned ink-on-paper correspondence by over fifty artists from Jack Smith to Kathleen Hanna.

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Post image for Printing the Performative Object

Outside of his own performance art practice, which fluidly intersects with his life, Brian Getnick and artist/designer Tanya Rubbak collaboratively publish the LA-based performance art journal Native Strategies.

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Post image for Artists Pick Artists: Rhona Bitner

Editor’s Note: This is the second in a series of interviews with artists that will continue indefinitely, without direction, and without any one person’s control. The artists are asked seven question about their art and their ideas about art.

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Post image for Landscape Acquired: A Dialogue with Scott Patrick Wiener

For those seeking an antidote to the Armory madness this weekend, Distant Images, Local Positions, curated by Wafaa Bilal at the Project Space of the Elizabeth Foundation for the Arts, is an edifying alternative.

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Post image for The Universal Humanism of Emancipatory Struggles

Jehane Noujaim’s The Square is a cinéma vérité-style documentary offering an electrifyingly intimate, character-driven perspective on Egypt’s political uprising and ensuing turmoil.

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Interviews

Painting Faded Memories

by Colin Darke on February 28, 2014

Post image for Painting Faded Memories

Kimberly Brooks’s solo exhibition I Notice People Disappear, currently on view at ArtHouse 429 in West Palm Beach, Florida, shows a beautiful evolution from her previous work; she has a looser style that demonstrates a confidence in taking chances.

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