
MIAMI — With Soutine in mind, and the world’s best galleries around me, I culled a few great works by mostly 1950s US artists that have Soutine in mind.


MANILA, Philippines — As is so often said about Chongqing, you’ve never heard of it, but with 30 million people and rising, it’s one of the largest municipalities in the world (for perspective, all of New York state has some 20 million people). Located in the heart of southwest China, a former city in Sichuan Province but now independent, Chongqing also hosts the country’s largest graffiti street, and perhaps the world’s.

This past weekend I was in St. Petersburg, Russia for the “Art & Reality” conference. During that trip I had the pleasure of taking some time off to visit the world-renowed Hermitage museum. For my first post about the Hermitage, I wanted to post a series of images of interiors that give a sense of the beauty to be found inside.

LOS ANGELES — It’s Tuesday, Day 11, and the honeymoon period for Occupy LA seems to have ended. There is much spirited debate about what actions to take and disagreements over how the General Assembly should facilitate discussions. Occupiers who have been around since the beginning are restless from the movement’s week-long dithering while news of conflicts with police in Boston, Seattle and elsewhere have made emotions run high among protesters. Still, the occupation is now 269 tents strong and the amount of creative dissent increases everyday.
![Post image for #OccupyWallStreet's Art Exhibition: Celebration and Harsh Realities [UPDATED]](http://hyperallergic.wpengine.netdna-cdn.com/wp-content/uploads/2011/10/rsz_nocommentflag-1.jpg)
This Saturday I visited No Comment, an art exhibition in response to Occupy Wall Street at the historic JP Morgan Building. the general vibe of “No Comment” perfectly captured what has been growing in Zuccotti Park and is now spreading across the country. Even though most of the works were laden with the struggles of the 99%, there was also a strong sense of community and celebration among visitors.

We’ve been documenting the signs at Occupy Wall Street for the last few weeks and each time we visit there’s a new batch, few are ever the same. It is a very physical manifestation of the protests. As people drop by, paint or leave signs and then proceed on their merry way, it is their words or images that remain and we feel like voices even if only for a moment.

On Friday and Saturday night I traveling to the Occupy Wall Street action in lower Manhattan’s Zuccotti Park to document the signs created by the protesters and their supporters. I was impressed that this small island of protest had quickly created a library and an art station for protesters to share their thoughts with the media and the world.

If the stately looking Statens Museum for Kunst, or National Gallery of Denmark, has a fantastic (yet, small) early 20th C. French collection featuring a stunning Matisse room, it currently lacks few signs that contemporary art has an important role in its collection or mission. History stops abruptly in the middle part of last century and until the institution finishes off its contemporary wing that’s not likely to change. Though contemporary art visitors to the museum are left with little to see in the high temple of Danish art, fortunately all is not lost. Local artist FOS has been given the opportunity to wrestle with the difficult space that buffers the new and old buildings of the art museum.
Contemporary art visitors to the museum are left with little to see in the high temple of Danish art but fortunately all is not lost. Local artist FOS has been given the opportunity to wrestle with the difficult space that buffers the new and old buildings of the art museum.