Post image for Celebrating Supercute: Hello Kitty Gets a Retrospective

LOS ANGELES — The retrospective: it’s standard fare in the museum world, a survey of an artist’s work over some stretch of her career. In Los Angeles, however, I’m not sure if there’s such a thing as “standard fare.”

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Post image for The Fragments and Facsimiles of Nina Beier

LONDON — When you enter the first room of Nina Beier’s solo exhibition at David Roberts Art Foundation (DRAF), you encounter “Scheme” (2014), an enigmatic stack of green crates with vegetables scattered on the floor.

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Sea Monsters and Liquid Geography

by Alix Taylor on November 24, 2014

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WALTHAM, Massachusetts — There are two large buoys hanging in the front windows of the landlocked Rose Art Museum, sitting like beacons behind the glass façade. Drawn in by the swollen structures, I climbed the stairs, past Chris Burden’s “Light of Reason,” and into Mark Bradford’s imaginary waters.

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Trevor Winkfield,

While visiting Philadelphia a number of years ago, the poet and critic Wayne Koestenbaum asked me “Is Trevor Winkfield a real person?”

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Taylor Swift, Picture-Perfect

by Lucas Fagen on November 22, 2014

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Taylor Swift has become a megaplatinum superstar largely through the construction of an artificial but rather appealing character. To call her the girl next door would downplay the dizzy self-involvement and feisty autonomy that made her a star in the first place.

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Melvin Edwards,

Melvin Edwards’ welded relief sculptures conjure up human anguish and human advancement often within the same work. His art delivers the mythmaking spirit of abstract sculpture into the domain of identifiable histories. He has built a long, wide-ranging career around that apparent incongruity.

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Ursula von Rydingsvard, “Bent Lace” (2014)

In a video produced by Art 21, Ursula von Rydingsvard recalls her childhood in refugee camps after World War II, living in barracks made of “raw wooden floors, raw wooden walls, and raw wooden ceilings.” Her current show at Galerie Lelong, Permeated Shield, is the first solo of her long career with a title that alludes at least indirectly to warfare.

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Post image for A Diverse but Directionless Survey of American Art Today

BENTONVILLE, Arkansas — The recently minted Crystal Bridges Museum of American Art in Bentonville, Arkansas, has mounted a prodigious exhibition of contemporary art titled State of the Art: Discovering American Art Now.

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Exploring Life’s Dead Ends on Repeat

by Melissa Stern on November 20, 2014

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Station Independent Projects, a sliver of space on the Lower East Side, is currently presenting a video piece by Pierre St-Jacques that not only transcends the medium’s clichés, but is a work of such intense longing and beauty that stepping back out onto the hubbub of Suffolk Street is a shock.

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Art That Was Always Meant to Be Hidden

by Allison Meier on November 20, 2014

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The portraits in Oliver Jeffers’ Dipped Paintings series exist as wholes only in the memories of those who witnessed their submersion.

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