Galleries

Post image for Fortuitous Paintings, Between Plan and Action

Among the crop of painting shows that opened this season in New York, Amy Feldman’s High Signs is particularly notable for its visual impact and irreverent sense of humor.

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Galleries

Crude Beauty and Wordsworthian Grandeur

by Patrick Neal on October 20, 2014

Stanley Lewis at Betty Cuningham Gallery

The artist Stanley Lewis draws and paints the landscapes closest to him, places where he works, teaches, and travels like nearby lakes and roadsides in Chautauqua, New York, or his backyard and studio window views in Leeds, Massachusetts.

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GalleriesWeekend

Rainy Day Woman: Jane Wilson Re-Visions Reality

by Tim Keane on October 18, 2014

Jane Wilson in her studio, 2095 Broadway, New York. January 8, 1999

Some sixty years ago, when she was a young artist involved in the downtown New York City scene, Jane Wilson stopped trying to be an Abstract Expressionist.

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Jude Tallichet,

It’s a full-size Hyundai Accent, circa 2000, collapsed in the middle of the gallery floor. Or rather, the shell of one, bone-white and cracked apart, like a melting iceberg or a flash-frozen relic from the next ice age.

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Sam Durant's Invisible Surrealists at Paula Cooper Gallery

In 1945, Andre Breton traveled to the Haitian capital of Port au Prince to deliver a lecture on “Surrealism and Haiti.”

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Galleries

Photographs of Urgent Wilderness

by Jeremy Polacek on October 17, 2014

Post image for Photographs of Urgent Wilderness

Flush with riveting, enigmatic color and luxuriant depth of field, David Benjamin Sherry’s monochrome photographs radiate beauty, urgency, and a certain humanness — as if their sublime scenes of mountains, forests, and rock formations had been blasted and dyed by a human detonation.

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Post image for An Exhibition to Put on (and Inside) Your Head

PARIS — Located in La Chaux-de-Fonds near Neuchâtel in the Swiss Jura Mountains, watchmakers Greubel Forsey are celebrating their tenth anniversary by honoring the gadfly artist Robert Filliou (1926–1987) in Paris with a rather curious show called Chapeaux! Hommage à Robert Filliou — and with a nonfunctioning watch in his name.

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Post image for Martha Rosler Tackles the Problem of Representation

LONDON — In the ’70s, photographer (and videographer, and rigorous cultural critic, and possible genius) Martha Rosler brought a critical eye, politically and philosophically, to the medium’s seductive pretenses of objectivity.

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Post image for In a Booth at Frieze London, Everything’s Home but Nobody’s There

LONDON — While one Helly Nahmad sits in a bare concrete prison cell in upstate New York, another Helly Nahmad strides around his lavish Frieze Masters booth in London’s chi-chi Regent’s Park. I don’t know how captivity is suiting the former, but freedom isn’t doing that much for the latter.

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Post image for At SITE Santa Fe, Landscapes Unsettled and in Motion

SANTA FE — Unsettled Landscapes, the first installment of SITElines, SITE Santa Fe’s reimagined model for how biennials are conceived, curated, and structured, is a conglomeration of art from the Americas.

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