Galleries

GalleriesWeekend

Harriet Korman’s Chromatic and Linear Improvisations

by John Yau on September 21, 2014

Harriet Korman, 'Untitled

The key to Harriet Korman’s work is drawing. However, until this exhibition, Harriet Korman: Line or Edge, Line or Color, New Paintings and Drawings, at Lennon, Weinberg she has tended to show only a few drawings at a time.

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Jack Bilbo,

LONDON — Back in the 1970s, England, the home of such pioneering researchers in the outsider art field as Roger Cardinal and the late Victor Musgrave, played a significant role in calling attention to a subfield which, at that time, was still emerging within the art world’s international terrain.

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Jenny Holzer,

Is an exhibition ever too beautiful for its own good? Jenny Holzer’s new show at Cheim & Read, Dust Paintings, is ravishing. But the sensuality of these text-based abstractions, done in oil on linen in mostly muted colors, runs counter to their content, which is derived from declassified government reports of brutalization and death during the Afghan War.

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Galleries

Past, Present, and Future Feminism

by Alexis Clements on September 19, 2014

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One of the most important tools for helping feminism reach a wide audience in the 1960s and ’70s was the consciousness-raising (CR) group.

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Prune Nourry's Imbalance installation in Manhattan's Chinatown

Something is amiss and slightly menacing in one of Manhattan’s numerous Chinatown massage parlors.

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Galleries

A Postal Approach to Abstraction

by Philip A Hartigan on September 15, 2014

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CHICAGO — Jordan Scott makes pictures by collaging thousands of vintage postage stamps onto panel and canvas and coating the surface in resin.

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Post image for Exhuming the Artistic Afterlife from One of NYC’s Historic Cemeteries

Up in the Bronx, at the end of the line of the 4 train, is a “remarkable museum of American funerary art,” as the wall text for Sylvan Cemetery: Architecture, Art and Landscape at Woodlawn at Columbia University’s Miriam and Ira D. Wallach Art Gallery puts it.

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GalleriesWeekend

James Bishop’s Incommodious Beauty

by John Yau on September 14, 2014

James Bishop,

I have been waiting to see a large selection of James Bishop’s paintings since the mid-1970s, ever since reading John Ashbery’s appraisal in a secondhand copy of Art News Annual 1966.

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Hermann Nitsch,

Its Wikipedia entry calls it “a short and violent movement,” and even compared with the aesthetic extremes of the 1960s, the unrelenting art of Vienna Actionism stands apart. After the passage of fifty years, the questions it raised about the limits and origins of art remain no less troubling or closer to resolution.

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Galleries

Pawel Althamer’s Family Secrets

by Kimberly Bradley on September 10, 2014

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BERLIN — Here in northern Europe the leaves are turning colors at an alarming rate. In the US, Labor Day came and went. But in Greece it’s still summer-summer — meaning there’s still time to visit the island of Hydra and see Polish artist Pawel Althamer’s rather anti-spectacular exhibition at the Deste Foundation Project Space Slaughterhouse.

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