Reviews

Museums

Mind Your Awareness

by Alicia Eler on April 14, 2014

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LOS ANGELES — As I made my way to the Hammer Museum, I was very aware of the fact that I would arrive late to the event — but something told me to go anyway.

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Post image for The Sick World of Kim Hyesoon

The body is a sick place. Its reality is viscera. Kim Hyesoon’s poems are composed of these unsightly and unpleasant viscera. They squirm, blind and deaf like newborn puppies, then grow up and live in a dog-eat-dog world. This world is called Sorrowtoothpaste Mirrorcream.

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Post image for Late Bloomer: Philip Hanson’s Recent Paintings

Initially I was skeptical, but Philip Hanson’s three paintings on the fourth floor of the Whitney Biennial got me to look and think again. The twelve paintings in his exhibition, I am a child of the Light, student of the Dark, at Corbett vs. Dempsey (March 21–April 19, 2014) convinced me.

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Post image for Down in Jungleland: Laura Sharp Wilson’s Crystalline Delirium

Irresistibly baffling, Laura Sharp Wilson’s paintings ensnare us inside a post-industrial jungle of tangled cables and serpentine vines, blinding yellow days and blacker than black nights. Her crisply articulated forms thrust, loop, spiral, dangle, cluster, zigzag, and coil edge-to-edge with a singular clarity that sidesteps chaos for a state of wide-eyed delirium

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Post image for Arles Well That Ends Well

ARLES, France — It first looked to be cold, gray, and rainy on the first April weekend in Arles, somewhat in stride with the general dour spirit of the French these days.

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Galleries

Art Before Images

by Susan Silas on April 10, 2014

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When you come across a mirror it’s nearly impossible not to look in it. But what happens when the reflective surface is an artwork — when looking at yourself precludes looking at it, and vice versa? Carrie Yamaoka’s exhibition at PK Shop, titled after the Jimi Hendrix song “Are You Experienced?,” is reminiscent of the cognitive illusions of the young girl and the old woman or the rabbit and the duck.

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Galleries

When Depression Strikes

by Alicia Eler on April 9, 2014

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LOS ANGELES — It was 4:20pm when I walked into Depression and encountered Andrea Ursuta’s piece “Stoner” (2013). A batting-cage ball-throwing machine creaked on, spun once, and died before it could eject anything from its quarantined-off belly.

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Post image for Hundreds of Years of Data Growing on Trees

While data visualization can seem like a modern design focus, it really has its roots in the High Middle Ages when a sudden rise in information and population resulted in the need to convey ideas in an accessible way.

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Post image for The Failures of 1970s Suburban Life

In the film Over the Edge (1979), the worst fears of a suburban planned community come true when the teenage residents of the fictional town of New Granada attack a town meeting being held to discuss just exactly what went wrong with the violent, angst-filled youth of their town.

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Post image for The Cold War in Florida’s Wetlands

MIAMI — Consider, for a moment, the hole-in-the-donut: a confectionary absence that signifies a presence, a sort of vortex of meaning, potentially a Rorschach test.

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