An Abolitionist’s Work, in Present Tense

by Tara Sheena on October 28, 2014

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John Brown is so much more than historical matter or biographical trope in Moss’s world; he is an ideological framework, able to produce a compelling, albeit densely layered, performance work.

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Post image for How a Fluxus Pioneer Tuned Televisions to a World of Noise

PARIS — Following on the heels of the Jean Dupuy and Robert Filliou gallery exhibitions, a third radical Fluxus-related artist is receiving a museum-quality gallery show in Paris: Wolf Vostell.

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Drawing the Dark Journeys of Drifters

by Dominic Umile on October 28, 2014

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For a digest of comics stories and intricate, free-standing illustrative work called The Lonesome Go, St. Louis artist and writer Tim Lane profiles familiar, typically unshaven folk: bar flies, train-hopping drifters, biker types.

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Installation view of Water Street Studios exhibition

CHICAGO — I recently visited an exhibition at Water Street Studios in Batavia, about 40 miles West from the center of Chicago — the equivalent, say, of driving halfway across Long Island from Hyperallergic’s Brooklyn office. In other words, a little off the beaten path.

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Detail of Sarah Gilbert,

In hip-hop, the East Coast-West Coast rivalry has died down since the days of 2Pac and Notorious BIG, but perusing last week’s Exchange Rates expo in Bushwick you could easily have gotten the impression that it was now raging in the art world — and that West Coast artists and galleries are killing it.

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The title of Ezra Johnson’s solo exhibition at Freight + Volume, It’s Under the Thingy, is reminiscent of Amy Sillman’s flamboyant one lump or two at the ICA Boston and Bard’s Hessel Museum.

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Post image for The Antichrist of Early-20th-Century Photography

Violence, nudity, and the occult collide in the photographs of William Mortensen, an American photographer who gained prominence in the 1930s and ’40s but today largely exists as an obscure name in the medium’s history.

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From Melbourne with Love

by Lucas Fagen on October 26, 2014

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Founded by conductor/saxophone whiz Andy Williamson, the Bombay Royale are eleven Australian troublemakers who play their own hammy, modernized style of Bollywood movie music.

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Henri Matisse,

The much-heralded exhibition of Matisse cut-outs currently at the Museum of Modern Art was previously at the Tate Modern, with a few less items than here, but it broke all attendance records and was open all night in its final days.

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Théodore Rousseau,

Consider “Study for The Forest in Winter at Sunset,” a work in oil and charcoal on brown paper by Théodore Rousseau, the 19th-century French painter now under scrutiny at the Morgan Library & Museum. Although it was done between 1845 and 1850, it feels like something Anselm Kiefer might come up with for a 12-foot-wide canvas: a controlled chaos of bare, twisting tree limbs in slashes of paint as dark and smoldering as charred bitumen.

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