Theaters

Post image for The Queer Matter of Shakespeare’s Sonnets

A not-so-minor detail was left out of a recent New York Times review of Robert Wilson’s reinterpretation of Shakespeare’s Sonnets at the Brooklyn Academy of Music (BAM): The sonnets were the gayest thing the Bard ever wrote.

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Post image for A Performance Artist’s Absurd Anatomical Odyssey

Nine o’clock: the stage lights dim and a spotlight illuminates a stuffed “hero” sandwich the size of a small sofa. The opening melody of Tina Turner’s “We Don’t Need Another Hero” — hit theme song from Mad Max: Beyond Thunderdome — fills BAM’s Fishman Space.

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Theaters

Performing the Rituals of Rebellion

by Tara Sheena on October 16, 2014

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In our increasingly digital world, live performance still manages to bring us together, away from the keyboard, for a period of time, however brief. Attending a performance is a kind of ritualistic act, which I have been thinking about since witnessing DEBUT, a new performance work by choreographer Emily Terndrup and filmmaker Derrick Belcham.

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Theaters

Dancing Through the Question of Freedom

by Emma Wiseman on October 10, 2014

Post image for Dancing Through the Question of Freedom

“The Watershed” remains skeptical about the nature of freedom in what creator Kyle Abraham terms a “poly-phobic society.”

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Theaters

Turning Manifestos into Music

by Megan N. Liberty on October 8, 2014

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The premiere live performance of conceptual artist Charles Gaines’s “Manifestos 2” (2013) at the Museum of Modern Art on September 27 was nothing short of synesthetic.

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Laurie Anderson and Kronos Quartet Premiere Landfall in Brooklyn

Laurie Anderson was already working on a cycle of songs with Kronos Quartet when on October 29, 2012, Hurricane Sandy rose the Hudson River into her West Village home.

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Theaters

When Drag Queens Crowd Surf

by Daniel Larkin on September 22, 2014

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PORTLAND, Oregon — Pepper Pepper went crowd surfing at her recent drag ball. Declaring to the crowd that it was all about collectivism, she dove out into the sea of hands with a large set of balloons attached to her back.

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Theaters

Machismo Ain’t Just for Boys Anymore

by Daniel Larkin on September 17, 2014

Eisa Jocson's Macho Dancer as part of PICA's TBA2014

PORTLAND, Oregon — “Macho doesn’t prove mucho,” socialite and actress Zsa Zsa Gabor once punned.

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Post image for Investing in Immersive Theater on Governors Island

Set against the economic optimism and then despair of a family-owned paper company going public, Trade Practices, presented by HERE on Governors Island, asks audience members to invest in its story lines. The immersive theater production that kicked off on Labor Day Weekend stages the experience around a trading floor, where your interest in various characters is turned into an experiment in value.

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Theaters

A Dance of Digital Shadows

by Daniel Larkin on June 27, 2014

Post image for A Dance of Digital Shadows

Technologies that didn’t exist 10 years are opening up fresh possibilities for choreographers and their collaborators. Interactive designer Matt Romein’s recent collaborative presentation with choreographer Sophie Sotsky harnessed new developments in motion-capture technology, video programming language, and sound editing to create a truly contemporary dance performance.

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