Bruno Wollheim’s David Hockney: A Bigger Picture is a much more straightforward account than Jack Hazan’s 1974 movie A Bigger Splash. It brings Hockney’s life full circle — the earlier film followed the artist’s move from London to Los Angeles while Wollheim’s film deals with Hockney’s return many years later to his childhood stomping grounds of East Yorkshire.
Corinna Belz’s new documentary, Gerhard Richter Painting (playing at Manhattan’s Film Forum from now until March 27), offers a rare glimpse into the life and work of the celebrated and self-proclaimed “secretive” German artist. For a little more than 90 minutes, we watch Richter labor over two new paintings, as well as devise upcoming gallery shows and attend large-scale exhibitions of his own work. Although the reasoning behind Richter’s artistic choices may remain largely mysterious, a sympathetic rendering of the artist emerges.
America, says Charlie Citrine in Saul Bellow’s novel Humboldt’s Gift (1975), is proud of its dead poets. Especially the mad ones: the bridge-leapers, the drink-guzzlers, the pill-snackers. Robert Lowell thought everyone was tired of his turmoil, but he obviously wasn’t thinking ahead to the possibilities he and his fellow scribblers presented to the movie business. You can only imagine the film gurus and movie execs surveying the poetscape of the twentieth century with nods of excited approval, foaming about their mouths. Drink, adultery, jealousy, madness, suicide: who knew poets led such cinematic lives!
The time has come. Last night was the last episode of Work of Art this season. One of our artistes dreams was made, and two others were crushed, much like bones after a terrible murder. I often follow up my Work of Art viewings with SVU. It puts the devastating losses in perspective.
Simon comes to visit the home of the bonding couch. He sends the artistes on a train ride! They head up to idyllic Cold Springs, New York, where China greets them in a rather fetching trench coat/dress combo. We expect so much from her.
This week, China announces that this week, “it’s time to sell out.” Because no one has “sold out” by going on a reality show, right? Anyways, the challenge is to create art to sell in the street and also display in the gallery. Art and commerce! The challenge rules are a little different: everyone works in teams of two, and they have five hours to combine shopping and studio time.
MANILA, Philippines — On November 23, 2009, just a little over two years ago, Esmael Magundadatu, the vice mayor of the southern Philippine city of Buluan, invited 37 journalists to accompany him as he filed for his certificate of candidacy. The group, along with a cadre of lawyers and family, never made it to their destination.
We open with our artistes bonding on their bonding couch that they always bond on. They mourn the loss of the Sucklord, until they remember that Dusty had promised Young that if their team won the previous challenge, Dusty would wear Young’s short shorts. A disturbingly sexually charged montage follows. This show is so fucking weird.
OMG guys, the artistes have arrived in Brooklyn. China Chow announces the challenge. They artists have to do street art! In Williamsburg! So hood. It’s a team challenge, too. Apparently art is the new Quidditch.
This week, we commence with some shots of our artistes at home, followed by another Bravo tradition: an absurdly early wake-up! This is a classic Bravo tradition in which the host/mentor, in our case, Simon, comes over to whatever West Elm palace the reality show competitors happen to be staying in, and awaken them obscenely early to take them to their next hellish challenge.
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A Truly Subversive Artist Is Not Necessarily Someone Who Is Theatrical or Gimmicky
Graffiti Writer Gets Pwnd by Marc Jacobs
Brooklyn Designer Held Without Bail for Hanging Plastic Bags from Trees
Should Museum Acquisitions Come at the Expense of their Education Departments?
North Korea's New Website
The Daily Practice of the Impossible
The Stellar Fucking Growth of Fuck Yeah Tumblelogs
Worker Bees of the Art World, Unite
Gay Life Portrayed in Traditional Chinese Paper-cuts
