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Post image for Lights, Camera, Cut: The Problems of Matisse on Screen

Matisse: From Tate Modern and MoMA aims to capture onscreen the blockbuster exhibition Henri Matisse: The Cut-Outs, currently at the Museum of Modern Art and previously at Tate Modern.

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Post image for From Civil Rights to Uncivil Realities, ‘Selma’ Resonates Today

Selma is a film in which every moment has weight.

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Post image for Telling the History of Photographic Processes, from Daguerreotypes to Digital

The George Eastman House released a 12-part video series last month that starts with the silhouette and traces photography’s development through daguerreotypes, cyanotypes, Kodachrome, and right up to digital.

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Two Films Capture the Genius of Gaudí

by Jeremy Polacek on December 19, 2014

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Can a film program be too Gaudí? Graced with Stefan Haupt’s efficient, if a little odd, documentary on the architect’s famously unfinished church, Sagrada Família, the Film Society of Lincoln Center (and at least one other theater) saw a match made in Barcelona and paired it with Hiroshi Teshigahara’s Antonio Gaudí (1984), the rare architecture documentary that has achieved “cult” status.

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Post image for When a Political Movement Becomes a Monument

Around the world, the aesthetic of revolt flows unabridged, immediate, and jittery, the revolution in any room. Which makes Maidan, Sergei Loznitsa’s unblinking and stirring documentary of last year’s Ukrainian protests that ended in the ouster of President Viktor Yanukovych seem like even more of a formal, rigorous outlier.

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Post image for Hotel Paranoia: An Embedded View of Edward Snowden

BERLIN — A spirit of “fearlessness and fuck-you” drove NSA whistleblower Edward Snowden to make his identity public, explains reporter Glenn Greenwald in Laura Poitras’s documentary, Citizenfour.

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A Museum Where the Paintings Look Back

by Julia Friedman on November 5, 2014

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National Gallery, which premiered last month at the New York Film Festival, is the most recent of Frederick Wiseman’s 40-plus documentaries that feature single institutions.

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The Cynical Optimism of Errol Morris

by Julia Friedman on October 22, 2014

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In an interview earlier this year with The European Magazine, Errol Morris was asked to use one word to describe his work. His answer: “perverse.”

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An Intimate Portrait of Edward Snowden

by Julia Friedman on October 21, 2014

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Citizenfour, Laura Poitras’s documentary about Edward Snowden, premiered to a sold-out audience at the New York Film Festival on October 10.

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Post image for Martin Scorsese Celebrates a New York Literary Institution

The 50 Year Argument, Martin Scorsese’s new documentary about The New York Review of Books, uses the same opening-sequence footage as another film about life in the Big Apple: West Side Story.

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