Creative Time

Post image for Three Days of Debating Social Justice at the Venice Biennale

VENICE — As folks streamed into the dimmed theater and escaped the Venetian heat, I felt a sense of anticipation. Creative Time, which has been showcasing its support of socially engaged art practices for decades, made its way into the Venice Biennale’s central exhibition All the World’s Futures, organized by Okwui Enwezor.

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Post image for Creative Time’s Anne Pasternak Will Take the Helm at the Brooklyn Museum

This evening the Brooklyn Museum revealed that Anne Pasternak will succeed Arnold Lehman as the institution’s director.

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Post image for Experience Sunset-Colored Ice Cream Cones and Other Art Interludes in Central Park

As the Central Park Conservancy celebrates its 35th year, it’s hard to imagine the decrepit shape much of the park was in when they started revitalization efforts in 1980. As part of its anniversary celebrations, the Conservancy partnered with Creative Time.

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Post image for At the Crossroads of the World, a Dissident Cuban Artist Is Almost Heard

In the glare of the afternoon sun and the LED screens of Times Square, an unassuming woman with thick glasses and a rolling wave of gray hair stood on a soapbox and spoke, as another woman held a white dove over her shoulder.

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A Report on the Cultural Boycott of Israel

by Chen Tamir on February 3, 2015

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Editor’s note: For roughly three years, Hyperallergic has been covering the Boycott, Divestment and Sanctions (BDS) movement and how it manifests in the art world, including recently during the 31st São Paulo Biennial. The following report outlines recent developments in regards to BDS and the positions of various art-related entities.

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Post image for Best of 2014: Our Top 10 Brooklyn Art Shows

Between the proliferation of galleries in Bushwick and, to a lesser extent, Greenpoint, the small cadre of Dumbo galleries sticking it out, longtime heavyweights including the Brooklyn Museum and BRIC mounting ambitious shows, and Creative Time parachuting Kara Walker’s sugar sphinx into the Domino Sugar Factory, it’s been an exceptionally strong year for art in Brooklyn.

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Post image for Funk, Medicine, and Questions of the Future

In performance, as in history, there’s a lot that gets lost: layers of meaning and nuance too complex to carry in a single story. Investigating Simone Leigh’s and Xenobia Bailey’s projects for funkgodjazz&medicine: Black Radical Brooklyn, produced by Creative Time and the Weeksville Heritage Center, I was struck by this loss as an informative process.

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Rediscovering the Roots of Black Radical Brooklyn

by Chase Quinn on September 30, 2014

Post image for Rediscovering the Roots of Black Radical Brooklyn

The energetic, jumbled print design of funkgodjazz&medicine: Black Radical Brooklyn, an exhibition by Creative Time and the Weeksville Heritage Center, strikes a bright, funkedelic chord in the mind’s eye. This is jazz; this is the casting off of the master’s linguistic tools; this is a celebration of black selfhood.

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Post image for Sources of Harm: Notes on the Alternative Artworld

Within and beyond the American artworld, the politics of race have assumed a central position this year with a degree of ugliness that feels particularly virulent.

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Post image for Over 100 Artists and Intellectuals Call for Withdrawal from Creative Time Exhibition

Over 100 artists and intellectuals — including Judith Butler, Lucy Lippard, Chantal Mouffe, Walid Raad, Martha Rosler, and Gayatri Spivak — have signed on to a public letter calling on participants to withdraw from Creative Time’s traveling Living as Form exhibition on the grounds that it is currently showing at an institution with a “central role in maintaining the unjust and illegal occupation of Palestine.”

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