Edward Kienholz

Post image for It’s a Man’s World: Inside a Postwar Art Time Capsule

There may be some great-looking specimens of postwar art in Re-View: Onnasch Collection — an exhibition that turns Hauser & Wirth’s cavernous Chelsea outpost into a mini-museum offering the kind of intimate experiences that have been all but lost in New York’s uptown behemoths — but the show also arrives with some huge caveats.

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Post image for Political Art, Galloping Out of the Past

“The Ozymandias Parade” by Edward and Nancy Reddin Kienholz has landed in the Pace Gallery like a DIY UFO — a frenzied agitprop vessel clattering into the 21st century from the Reagan era’s heart of darkness.

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Reactor

Required Reading

by Hrag Vartanian on November 20, 2011

Post image for Required Reading

This week, a number of online journals have launched new editions, the Clyfford Still Museum finally opened in Denver, the value of professional opinions in art, the relationship of Yves Klein and Ed Kienholz, Roberto Matta at 100, does corporate culture suck …

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Post image for Rediscovering Ed Kienholz’s “Five Car Stud”

Like the Memorial Day holiday weekend with which it bookends the summer, Labor Day is an opportunity for hard-working Americans to kick back, pop open a couple of beers and reflect upon what makes the good ol’ U. S. of A. so great. Which is why the opening of the new installation of Edward Kienholz’s disturbing fever dream “Five Car Stud” at LACMA this Sunday couldn’t have come at a better (or more ironic) time.

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