Edward Winkleman

Post image for Why Ed Winkleman Did #Rank at the Seven Miami Art Fair

How many of the estimated 46,000 artists, dealers, collectors, and lookyloos that checked in at Art Basel Miami Beach actually made the 35-minute car trip from the stunning South Beach to industrial Wynwood for the Seven Art Fair is still unclear.

Seven was to Basel what Independent New York was to the Armory Show. An art fair (ok fine, temporary exhibition forum), yes, but set up as a museum-like display rather than sales booths, more concerned with theme and content than commodity object. Curatorial considerations made intelligent relationships between artists from different galleries, instead of an “art world greatest hits.” Because of the elimination of sales booths, the pressure was off. Here, dealers seemed to be interested in discussing ideas.

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Post image for $ECRET$ OF THE NEW YORK ART WORLD for #class

When Edward Winkleman offered his new storefront gallery on West 27th Street to artists William Powhida and Jen Dalton to “consider ‘alternatives/solutions’ to the market” they decided to organize a show titled #class. The hashtag in front of the name is a reference to Twitter and the communal tags that help users find related tweets on a given topic, event or idea. Like the online service, the #class exhibition — is it an exhibition? — is composed of crowd sourced content. Hyperallergic is taking part with $ECRET$ OF THE NEW YORK ART WORLD.

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