Alternatively, “You vultures are not supposed to steal this thing! Are you stupid or just greedy? Sit and watch the dancing,” but that might have been too long.
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Last Friday’s launch of the New York City Ballet Art Series was a confusing affair. I was not the only person to arrive at Lincoln Center expecting that art collective Faile’s “collaboration” with the New York City Ballet would be more than lobby art.
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Attention street art aficionados: a new public work by Faile has landed in Williamsburg! The piece, helpfully titled “104 N. 7th,” departs from the pop-art collage aesthetic the duo’s best known for and features instead thousands of hand-painted, sculpted ceramic tiles covering the facade of a commercial building. The project seems like a descendent of “Temple,” an arresting and meticulously designed modern-day ruin that Faile built two years ago for the Portugal Arte 10 Festival.
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The Brooklyn street art collective Faile is so hot and cold that I’m starting to wonder if they have some type of artistic condition that borders on the bipolar. After showing some renewed promise in a slew of street art pieces around New York earlier this year their Bedtime Stories show at Perry Rubenstein Gallery was a dud.
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Unbeknown to the vast majority of New Yorkers, a street art project has quietly been taking place under the streets of our fair city, artist by artist and flashlight by flashlight. The Underbelly Project is a reaction against the overwhelming commercialization of street art. Project organizers Workhorse and PAC called the fad for ripping off street objects “commercialism at its worst.” To rectify this supposed “commercial” situation being faced by street artists, Underbelly “safeguards” street art’s “integrity” by placing it where only the select few can get at it: in an abandoned, unused subway stations somewhere underneath the teeming pavement.
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Aiko’s recent exhibition at Andrew James Fine Art in Shanghai was actually made entirely in that Chinese city while she participated in the gallery’s residency program. This locality lends the work a different significance, a home-grown quality that’s reflected in the mix-in of Shanghai street signs and graphic elements. What we see is not so much a heroic, tragic artist struggling to produce a masterpiece, but a practicing artist reflecting the time and the place she occupies.
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2010 has begun with some fascinating street art, including works by Bansky, Shepard Fairey, Kid Acne, Ema, El Sol 25, TrustCorp …
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A new generation of websites selling prints by contemporary artists are emerging as the Ikeas of the art world — they sell editions, from large to small runs, of different kinds of work, from traditional prints to paintings and drawings. At high volume and low prices, these sites make the most of their populist position: buying art need not be hard!
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