Film

Still from 'Boy Meets Girl'

Thirty years after its release seduced critics with a nocturnal, jumbled dream of love and light, Leos Carax’s debut film, Boy Meets Girl, continues to burn with contradictions, seeming somehow to be younger today than it was yesterday.

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Spectacle Theater

Spectacle excels at making the most of whatever its members put their eclectic, seemingly tireless minds to. Seven days a week the volunteer-made, volunteer-run, 30-seat screening space in Williamsburg, Brooklyn, hustles out a menagerie of films — rare, radical, forgotten, misbegotten, offbeat, and controversial — which they charge $5 to see.

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Close-up of one of Emery Blagdon's hanging sculptures (2012), wire, found bottles, wire, metallic foil, paint, shells, dimensions variable

Yesterday evening’s nationwide PBS broadcast of Kelly Rush’s new documentary short, Emery Blagdon & His Healing Machine, served as a reminder of just what it is that distinguishes the lives and careers of the most exemplary outsider artists.

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Ellar Coltrane, age 9, in 'Boyhood'

The big bet pays off in Boyhood, much like the risks of early life: making friends, changing the way we think and look, the things we do.

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Post image for A Secret Film Smuggled Out into the World

Iranian filmmaker Jafar Panahi continues to make movies. Caged in his perverse, Kafkaesque “larger prison,” Panahi faces a 20-year ban by the Iranian government on filmmaking, international travel, and interviews.

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Post image for China’s Buried Past and Submerged Future: Patty Chang and David Kelley’s ‘Flotsam Jetsam’

In the opening moments of the film, Flotsam Jetsam (2007) by Patty Chang and David Kelley, currently playing at the Museum of Modern Art, New York, a bridge-like structure is seen in the distance, partially traversing what seems to be a wide river.

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Post image for Debuts Distinguish BAMcinemaFest 2014

Opening tonight with the New York premiere of Boyhood, Richard Linklater’s highly anticipated coming-of-age tale, the sixth incarnation of BAMcinemaFest finds the festival itself approaching maturity.

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Post image for One Day Pina Asked… and Chantal Akerman Listened

Beginning life as an installment in a European television series on modern dance, One Day Pina Asked… (1983) is the best cinematic reflection on the late, great modern dance choreographer Pina Bausch.

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Post image for Faster than Sound: Color in the Age of Silent Film

Looking back now, there is the impression that all old silent films were black and white, the advent of sound in the mid-to-late 1920s marking the first great milestone on the march to our 3D, high-definition contemporary world. Yet by the early 1920s — years before cinema found its voice — 80% of movies could be seen in color.

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Post image for A Guide to Surviving the 2014 Summer Blockbuster Tsunami

Before tut-tutting Hollywood for another summer of what A.O. Scott and Manohla Dargis have called “sequel season, when the movie studios celebrate their lack of imagination by disguising it as populism” — a moment of reflection for one of cinematic-summer’s greatest visionaries, H. R. Giger, who passed away last Monday from injuries sustained in a fall.

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