In Richard Brautigan’s 1968 novel In Watermelon Sugar, a girl named Margaret often wanders off to the Forgotten Works, a forbidden area piled with the detritus of past civilizations. Like Margaret, the artist Mark Dion is drawn to old things.Continue Reading →
We all have that friend we love to invite to our birthdays because he always come with an shocking present, a giant Scalextric, a human skull, or a disturbingly realistic dildo. For David Bowie, that friend is artist Tony Oursler.Continue Reading →
Some time early last week, I began to notice the “What People Think I Do/What I Really Do” graphics on my Facebook news feed. The first time I clicked on one, I had a quick laugh — I thought it was witty. A few days later it seemed like my news feed had been converted into a focused, peer-curated online gallery devoted to the latest, most clever “What People Think I Do/What I Really Do” graphics.
Then my Mom started posting them too. The speed at which this new internet sensation spread grabbed my attention. A quick Google search led me to www.knowyourmeme.com. The website credited artist Garnet Hertz with starting the meme, so I emailed Hertz to see if I could get the scoop on his original graphic. Hertz was kind enough to give an interview about the history of the graphic he first posted on February 9th and the subsequent birth of a meme.Continue Reading →
On average, we probably encounter magazines more frequently than art. To equate them, though, isn’t common practice. Is a New Yorker cartoon just a quirky little illustration, or is it a defining style of both humor and drawing that has become iconic not just of the weekly, but of the history of cartooning? Is a fashion spread in Harper’s Bazaar just luscious eye candy coxing consumers to buy clothes, or is it the collaborative result of aesthetic visionaries in the demanding creative fields of photography, creative direction and fashion? Are magazines glossy periodicals filled with ads, or are they works of art with revolutionary potential?Continue Reading →
Mention the name Kirsha Kaechele (assuming you can pronounce it) to folks in the New Orleans arts communities and you’re likely to hear a wide range of opinions—and her story brings up a host of interesting questions regarding the complex and often conflicting mix of motivations, ego, and consequences behind community-based art projects.Continue Reading →
When the Smithsonian’s National Portrait Gallery announced that it would be removing “A Fire in My Belly,” a David Wojnarowicz video work, from its Hide/Seek exhibition due to Republican political pressure, the art world rushed to the work’s defense. Among the first art institutions to respond to the scandal was the New Museum. In a press release on December 6, the museum announced that it would be displaying the video in its lobby “as an act of solidarity with the many artists whose rights of expression continue to be limited by misinformation and fear.”
In a Hyperallergic-exclusive Q+A with New Museum’s director Lisa Phillips, the director explains how the museum reacted to the initial controversy and how the decision was made to display the censored video in the lobby.Continue Reading →