Picture it: a skeleton with a keen eye for color paints a Zombie-pin-up-girl with severe angular outlines against a cartoonish background. What is it? It’s Ryan Ford’s “Humanary Stew” (2011) at Factory Fresh, and it proclaims the talent of the undead. This comic scene is the perfect introduction to some intriguing new work on view in Bushwick this month.
Here at Hyperallergic we are allergic to a lot — dust, nuts, cats, insipid art criticism, bad art shows, people who suck. Enter our weekly remedy: a list of exhibitions and events that will serve as your weekly dose of art medicine. Here is this week’s prescription …
The mercury in your thermometer can easily climb to 100+ degrees during these dog days of summer in north Brooklyn’s Bushwick neighborhood. The concrete streets are helplessly desolate and even the Bushwick pigeons seem to have given up. Bushwick has been quieter lately, and the local art scene might have been hiding in the close proximity of blasting air conditioners most of the time, but even with all these factor you can definitively say that it certainly is not dead. In fact, several prominent Bushwick galleries and art spaces opted out of the summer break and have been serving up refreshing art options.
Almost completely left out of the Jeffrey Deitch-organized Art in The Streets at LA’s Museum of Contemporary Art and minimally referenced in its exhibition catalogue and other recently published surveys of graffiti and street art, the historical importance of Fashion 时装 Moda МОДА has been lost to a generation of artists and graffiti-lovers. It’s time for that to change.
In this final entry in Jason Andrew’s Curator Diary, the curator gives a lecture on Jack Tworkov’s life and work and wraps up his time in Asheville, making last stops at local galleries and homes of friends. The journey ends with a trip back to the airport. It’s the surreal end of a curating job — put up the exhibition, show it off, then pack up.
After all the curating is done, there’s usually a party to look forward to — the exhibition opening. In this last Curator Diary, Jason Andrew attends his own opening party at Black Mountain College, chats up visitors, meets painter Donald Sultan’s mom and hits the town afterward.
A curator’s job isn’t just to shuffle some art around in a gallery space. In many ways, curators are the glue that hold artistic communities together, by organizing group events, serving as hubs of communication and connecting people and groups on local, national and international levels. In this Curator Diary, Jason Andrew does a lot of visiting, a lot of lunching and a lot of talking. It’s all a part of the gig.
Today’s Curator Diary from Jason Andrew exposes the nuts and bolts of putting together an exhibition. Andrew works with an art handler to install pieces in the developing Jack Tworkov show, frets over catalogue corrections and reaches out to area artists and students. Curating isn’t all glamorous openings and swanning around with Marina Abramovic, after all.
This Curator Diary is an editorial feature documenting curator and local Bushwick hero Jason Andrew’s trip to Asheville, North Carolina to mount an ambitious exhibition of work by Jack Tworkov. The column will explore the day-to-day process of curating, a behind-the-scenes look into what a curator actually does.
In the summer of 1952, artist Jack Tworkov traveled to Black Mountain College in Asheville, North Carolina. A leading figure of the New York School, his time at the influential American school, which some people consider “America’s Bauhaus,” is the subject of a new exhibition. We talked to the curator, Jason Andrew.
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