Today, New York Magazine critic Jerry Saltz appeared on CBS This Morning to discuss tonight’s Sotheby’s auction of Edvard Munch’s “The Scream.” Saltz isn’t a fan of the circus surrounding tonight’s sale and he dislikes that the chatter is mostly about the projected price tag and not the art itself.
Artist registration is open now for the fourth annual ArtPrize. Part art competition, part social experiment, the event overtakes downtown Grand Rapids, Michigan, bringing in hundreds of thousands of visitors from across the country.
Designed to be a simple yet transformative experience for both artist and audience, ArtPrize is a platform on which artists are given absolute freedom to experiment, collaborate and explore new ideas. Artist registration is open at www.artprize.org now through May 24.
I would be lying if I didn’t admit that I had a great deal of fun at last night’s Art Fag City Rob Pruitt Art Awards and Auction (AFCRPAAaA) and I was happy to be a part of it and see Occupy Wall Street receive the Best Jerry Award from Jerry Saltz himself.
Our crackpot team of researchers has uncovered this video of a secret meeting between Jerry “I hate relational aesthetics today” Saltz and Charles “people are vulgar now that I’m not king” Saatchi in a Finnish sauna.
OMG guys, the artistes have arrived in Brooklyn. China Chow announces the challenge. They artists have to do street art! In Williamsburg! So hood. It’s a team challenge, too. Apparently art is the new Quidditch.
This week’s Work of Art begins with a staple of Bravo reality competition shows: children and foreboding music. Ah yes, this is the week our artistes must show that they can handle the youngins. But then, another surprise! OMG IT’S CARRIE BRADSHAW. She gives them their challenge: the artists have to make a piece complimenting work of the children brought in. And so the exploitation of children begins.
This week’s Work of Art begins with the arrival of our intrepid artistes at the Phillips de Prury auction house. They follow a line of tin cans until low and behold! A mountain of tin cans! Next to one Andy Warol’s soup can paintings! Guess what kids, it’s time for a Pop art challenge!
Bravo’s massively entertaining (at least to us) Work of Art is back! Or at least it came back last week. Apologies for the lack of a recap; we were too distracted by Sexy Ugo to write anything down. But since he was eliminated, it’s no longer an issue! We can focus on the art! And Jerry Saltz fondling wooden testicles!
The Arsenale and its Corderie (Rope Walk) compose the remainder of the curatorial effort of the Biennale’s director. It is the sprawling nasty sibling of the Padiglione Centrale, and is somewhat of a chore to tackle. The entire layout of the Arsenale this year feels disjointed. On a whole, I felt like there was a dearth of strong work. I believe Curiger had aspirations to move beyond the trends of participatory art and ostentatious work seen everywhere else in Venice and other art fairs.
Jerry Saltz is like the art world’s hip uncle. But is he getting too curmudgeonly to hang with the kids? In the critic’s recent New York Magazine essay, Saltz calls young artists “Generation Blank” for being not original enough and too digestible by critics — cliche. Meanwhile, other art youth compare GIF size.
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