Joseph Beuys

Post image for Contemplating Perfection and Imperfection at Dia:Beacon

A visit last weekend to Dia:Beacon, the vast repository of Minimalist art on the east bank of the Hudson River, brought home once more the complexities and contradictions of a movement whose goal was to be as plain as the nose on your face.

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Post image for From Míro’s Studio to Ledger Art, Standouts of the Armory Show’s Modern Section

The Armory Show is thought of first and foremost as a venue for buying contemporary art, but on the fair’s southern pier dealers quietly move Modern masterpieces worth millions.

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A Simplistic Survey of Protest Art

by Julia Friedman on March 18, 2015

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Zero Tolerance at MoMA PS1 tackles an ambitiously broad subject: the intersection between protest and art.

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Post image for Over 500 Joseph Beuys Multiples Go on Rare View in NYC

From the 1960s until his death in 1986, German artist Joseph Beuys produced some 557 multiples — small-scale portable and affordable pieces that captured an element of his practice.

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The Pursuit of Art, 2014

by Thomas Micchelli on December 27, 2014

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The exhibitions that rippled through our cultural fabric over the past year, at least those occurring in and around New York, have registered the predictable number of highs and lows, though 2014 did manage to plumb one nadir unlikely to be matched for a good long time.

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Post image for Putting the ‘No’ in ‘Nostalgia’

This show at James Fuentes, instigated by various artists associated with an exhibition in 1980 called The Real Estate Show, is a reconstruction of a spontaneous action that began in late 1979.

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Post image for ‘Paweł Althamer: The Neighbors’ at the New Museum

A few blocks east of the New Museum’s skyward stack, a small gallery recently closed a provocative show focused on the final years of Joseph Beuys, the forefather of social sculpture. Though Beuys’ legacy in the social practice(s) of art is as manifold as it is contested, few have assumed his mantle as directly as the Polish sculptor Pawel Althamer.

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Post image for Final Ascent: Joseph Beuys and the Languages of Art

Mention Joseph Beuys’ name and the usual iconic gestures come to mind. But if you dig beneath the surface, even a little, you’ll discover how ultimately alien his art really is.

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Post image for ‘Joseph Beuys: Process 1971–1985’ at Rooster Gallery

“Socio-economic illumination, enabled by the evolutionary process of thought, was Beuys’ end-goal,” writes Kara L. Rooney in her substantial catalogue essay for Joseph Beuys: Process 1971–1985, the small but ambitious show she’s curated at the similarly disposed Rooster Gallery on Orchard Street.

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Post image for The Nazi Ties of Joseph Beuys

Joseph Beuys is a canonical postwar artist, but was he really as progressive and enlightened as we’ve come to believe, and as he led us to think? A new biography of the artist, written by German-born Swiss author Hans Peter Riegel, kicks up the age-old debate about the separation of the artist and the art by contending that Beuys was actually a dedicated follower of the occultist and racist ideas propagated by philosopher Rudolf Steiner, and that he hung out with quite a few former Nazis.

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