
Tomorrow, Patti Smith will turn 66. The day before yesterday, on the 27th, her longtime guitarist Lenny Kaye reached the same age. “We’re three days apart,” Smith announced last week in the atrium of the Museum of Modern Art at her “walk-in” concert celebrating the birthday of the French writer Jean Genet.
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Is this Judith Bernstein’s moment? With her work now on display in two New York museums, the art world is finally catching up with this uncompromising artist. And it’s taken only four and a half decades.
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As part of the Festival of Ideas For the New City anchored by the New Museum, a group of major artists have sprinkled the Bowery with murals. In collaboration with the Art Production Fund, painters including Mary Heilmann, Richard Prince and Jacqueline Humphries created murals for the roll-down metal gates of restaurant supply stores on the historic street. The trick is that these murals are only visible at night, after the stores close. Over the course of one evening’s sunset, I went on a scouting mission to photograph the works in their native habitat. Click through for the photo essay.
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The National Academy Museum’s Annual Exhibition, often seen as the Whitney Biennial’s dowdy cousin, still privileges the rich traditions that bigger museums, galleries, and curators often overlook when they focus on younger, sexier media like video, installation, and social sculpture. This year, due to the economic downturn, the 185th NAM Annual includes less art than usual, but has continued to choose outstanding artists deeply engaged in traditional studio practice.
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