The final installment of Julian Schnabel 1978–1981, the rotating exhibition of four of the artist’s early works, has arrived with “Abstract Painting on Blue Velvet” (1980). If you’re seeking closure, however, I doubt that you will find it here.
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As an undergraduate, I took a seminar in contemporary art issues conducted by the theater designer Robert Israel, who once mused about coming across one of Robert Rauschenberg’s 1950s-era combines in a collector’s pristine white apartment. The artwork, composed of recycled scraps of garbage, “looked like it was peeing all over the place.”
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“The Patients and the Doctors” (1978) is Julian Schnabel’s first plate painting. It is also the title of a prose poem/essay he wrote for the February 1984 issue of Artforum, a ham-fisted manifesto that did little to dispel his reputation for defensive bluster.
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Is it possible to look at Julian Schnabel’s “St. Sebastian” (1979) with fresh eyes, as if the past 34 years of Schnabel Sturm und Schnabel Drang never really happened? As if it were a new painting fresh out of an unknown artist’s studio, landing inconspicuously in a storefront gallery on East 10th Street between 2nd and 1st?
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Roger Brown (1941–1997) died a decade after his retrospective opened at the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (August 13, 1987–October 18, 1987), and traveled to three other museums, none of which were on the East Coast or in a densely populated urban center. More surprising, the show didn’t travel to Chicago, where Brown first gained attention and with which he is associated.
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We haven’t been covering the humble home of artist Julian Schnabel, known as Palazzo Chupi, like others have but that’s not to say we haven’t been gawking at a distance trying to figure out WTF why the hell he made it.
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Today’s rain may have put a damper on the unveiling of Ai Weiwei’s “Circle of Animals/Zodiac Heads” (2009) at the Pulitzer Fountain, located at Central Park South and Fifth Avenue, but what certainly cast a pall over the event was the artist’s own absence. After over a month since his arrest by the Chinese government, we still haven’t heard from the dissident artist. The opening of “Zodiac Heads” was met with widespread support for Ai’s plight and for his politically contentious work, both from Mayor Bloomberg and the city’s influential arts community.
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This for your day in art world gossip — Julian Schnabel, past-his-prime 80s neo-expressionist painter and burgeoning filmmaker, got into a screaming match with girlfriend Rula Jebreal over how NBC stylists had done her hair for an appearance on Morning Joe.
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It seems as though all those hanging hearts, flower puppies and porn paintings are finally paying off for Jeff Koons, as the superstar artist has begun to plan the renovation of two enormous Upper East Side townhouses into one giant SUPERMANSION! The artist purchased 11 East 67th Street in 2009 for a cool $12 million while its neighboring 13 East 67th Street came in at $20 million. Now, architecture firm Ennead Architects is requesting permits for a $5 million renovation that will make the two buildings one, Curbed reports.
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