For too long there has been a large divide (whether real or imagined) between visual art and music. After all, what we came to call art most likely formed out of traditional ceremonies with music, dance, shrines, costumes, and ritual objects all working together. Now, that boundary is collapsing again.
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Thirty-two years after being labeled the “first radical art show of the ’80s,” the Times Square Show, a raucous and revolutionary DIY art exhibition held in an abandoned massage parlor on 41st Street and Seventh Avenue in the old dirty and devastated Times Square, has been revived by the Hunter College Art Galleries in the exhibition Times Square Show Revisited.
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Last week I got an email advertising a collaboration between Shepard Fairey’s apparel company OBEY and the Keith Haring Foundation, resulting in T-shirts, tank tops and baseball hats — including one with an unsettling combination of Haring’s three-eyed face and Fairey’s OBEY graphic — sold at mall hipster-mecca Urban Outfitters. This was enough to make begin questioning the Keith Haring Foundation’s treatment of the artist’s legacy — and then I heard about the Tenga x Keith Haring sex toys.
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Walking through a Duane Reade the other day looking for a snack, I stumbled across this Keith Haring Baby Bib by Bumkins.
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Google salutes Keith Haring on his birthday today with a homepage doodle. The American street artist turned pop culture darling would have been 54. Here are a few places to see Harings in New York today.
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MTV is trying to rekindle the “visual playground” of the 1980s and they hope the new art commercials by Rashaad Newsome, Mickalene Thomas, Tala Madani, Jani Ruscica and Mads Lynnerup will help them do it.
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While at the landmark exhibition Hide/Seek: Difference and Desire in American Portraiture at the Brooklyn Museum, I realized I had to start my review with a statement that will look simple and quite possibly stupid: Hide/Seek is more than David Wojnarowicz’s “A Fire In My Belly.”
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Keith Haring: 1978-1982, the first large-scale exhibition to explore the early career of one of the best-loved American artists of last century will be presented at the Brooklyn Museum from April 13 through August 5, 2012.
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Evacuated from my Lower Manhattan apartment and hiding from Hurricane Irene, I find myself thinking about anonymous street art and what it means to art-viewing practices. Different from traditional art and even graffiti, the anonymous works that are found on construction walls, corners of the street and shop grates pose a difficult yet exciting problem for the street art or historian enthusiast that comes across them.
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The artist t-shirt is a development we’ve known here at Hyperallergic for some time, but we thought it’d be good to let our readers explore it further. The blurry line demarcating art and fashion is obfuscated when artists have a hand in designing clothes. Is it just a cheap ploy to stock the gift shop full of more merchandise? Probably. But bearing an artist’s creation in your personal presentation potentially imbues clothing with a lot of meaning.
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