LA MOCA has fired Paul Schimmel Paul Schimmel quits LA MOCA? (according to Jeffrey Deitch), LACMA is reducing its hours and cutting staff, and the Getty cut jobs last month. Pull yourself together, LA!
Los Angeles County Museum of Art
LOS ANGELES —There’s a giant rock in town. If you live in Los Angeles, it’s almost impossible to ignore this fact. Part of that is because the rock — Michael Heizner’s “Levitated Mass” — blocked traffic on its slow journey to the heart of LA and into the Los Angeles County Museum of Art. But it’s easy enough to skip that part of town if you want to. The biggest reason is that almost every Angeleno (at least in my art-loving circle) is talking about it.
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LOS ANGELES — Tucked away in a small corner at LACMA is a new show: Common Places: Printing, Embroidery and the Art of Global Mapping. Culled together from the museum’s permanent collection, the works consist of embroidery inspired by printed paper works.
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LOS ANGELES — When this guy comes to town, he brings with him an entourage of hardhat-wearing men, baleful security officers, news teams and draws crowds of local residents and enthusiastic out-of-towners (including me). A rock star, you say? You bet.
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On the occasion of the Ellsworth Kelly: Prints and Drawings exhibition at LACMA, the museum has posted a four-minute segment from a longer conversation between the artist and curators Stephanie Barron and Britt Salvesen.
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LOS ANGELES — Just a day after I reviewed LACMA’s In Wonderland exhibition of surrealist female artists, I came across their new app. Designed by media artist Jody Zellen, Art Swipe starts you off with 16 images from the show. The images are cut in three and arranged with others on the screen, allowing you simply to slide the images until you find a mash-up you like.
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LOS ANGELES — A visiting friend from New York afforded me the chance to check out two shows currently on view at LACMA. They’re quite different — disturbing surrealism and cool California chic — but as they’re in the same Resnick Pavilion, we had to see both. It’s a great combination.
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Chris Burden’s frenetic installation at LACMA “refers specifically to Los Angeles … of the future” but it’s more reminiscent of fast-growing megacities, like Chongqing and Dubai.
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The Boston MFA is purchasing Christian Marclay’s epic movie mash-up “The Clock” (2010) (recently on view in NYC) for $250,000. The Los Angeles County Museum of Art bought the piece in April, and there are rumors that MoMA plans to do the same. What’s up with this collecting fad?
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The most striking aspect of social media art is that it contains facets of net.art, by being digital; visual art, by existing on a two-dimensional surface; public art, by existing in spaces used habitually by hundreds of millions of people; and performance art, by being inherently social. Whether the aggregate is greater than its sum remains to be seen …
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