America has finally woken up to discover that the free life they thought they were living is really governed by a system. A system designed at first glance to be “for the people, by the people.” But in recent years we’ve all realized that this is furthest from the truth. Facets of the system are under scrutiny. So in light of the Occupy Wall Street movement, perhaps it’s time for artists to rewrite the rules of the game.
Earlier today we reported that artist Man Bartlett had been arrested early Thursday morning during the #N17 Day of Action. We also reported that the artist was released from jail after being detained for roughly 27 hours. We gave him some time to rest and then caught up with him to hear about his experience at the protest, the arrest and the how he got the word out to his dad about his arrest despite the fact that he had no cell phone.
![Post image for Artist Man Bartlett Among OWS Arrests Yesterday [UPDATED: He's Out!]](http://hyperallergic.wpengine.netdna-cdn.com/wp-content/uploads/2011/11/manbartlett-OWS-HOME.jpg)
Today, we learned that he was arrested yesterday during the November 17 protests. We spoke to his father, artist Bo Bartlett, who says that apparently Man Bartlett is not out of prison yet.
This week, how a Caravaggio becomes “discovered” and evaluated, Christo gets the green light for Colorado, artists who seek out their harshest critics, Terence Conran, erasing a Chris Martin, escaping the digital world, Occupy Miami art schools, street art in Iran and is politics performance art?
Artist Man Bartlett is probing one of the biggest taboos in the art world, money, in his current Google Doc “performance” titled “$.” I spoke to him about his ideas in the most recent installment of Hyperallergic TV.
Last Friday night, artist Man Bartlett opened up his Bushwick apartment on Myrtle avenue for what he conceived as a networked pot-luck extravaganza called “#FEEDFEED.” A self-admittedly low-brow version of Relational Aesthetics, the event invited participants to contribute a meme or internet-inspired dish. Here’s what was on the menu.
Critic Paddy Johnson just penned a column for L Magazine about something she terms “Twitter art,” by which she means (I assume) art that uses Twitter. I often enjoy her take on new media but in regards to her treatment of Twitter-related art, I think she misses the mark. Here’s why.
This month’s ARTnews includes an extensive feature by veteran arts writer Barbara Pollack on social media art. This is a fascinating read for anyone interested in understanding the emergence of social media art and how artists are using the medium to create work.
When I caught performance artist Man Bartlett around 4:30 pm EST yesterday, he had been in New York City’s Port Authority Bus Terminal for 23 and a half hours straight. Beginning on Wednesday, May 25 at 5 pm and continuing through 5 pm on May 26, the “#24hPort” performance saw the artist occupy both virtual and physical space, wandering through Port Authority and asking visitors where they were going, at the same time tweeting about the experience and asking Twitter participants about their memories of where they had been.
This week, Creative Time Tweets begins on Wed, March 25 with Man Bartlett’s “#24hPort” (2011) performance at Manhattan’s Port Authority bus terminal. The project is the first of three commissions, and I spoke to curator, Shane Brennan, about the project and why Creative Time is commissioning Twitter-based art works.
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