The last day of the Marina Abramović’s “The Artist Is Present” at MoMA was marked by a frenzy of activity both IRL and online. The veteran performance artist has proven that her art form has come of age and it can hypnotize a whole city — and art world — into believing or “unbelieving” that she’s the biggest game in town.
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Organized in collaboration with Paterson Arts Council, Lambert’s Escape From New York exhibition includes work by 43 top contemporary New York artists. The artists include such 2010 Whitney Biennial talents as Bruce High Quality Foundation and Kate Gilmore, but there are some emerging and even some relatively unknown names in the mix that are sure to surprise even the most art worn observer.
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Thanks to everyone who came out for our informal six-month anniversary celebration, which quickly became a big ol’ party at our rather new Williamsburg office.
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Over the last two days, artist and Hyperallergic contributor An Xiao has been leading and moderating a discussion on the Hyperallergic Facebook page on the nature of Social Media Art. Today, the discussion continues but first let’s look back to see what has been said so far.
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Just as social media have quickly gone mainstream, we’re starting to see social media art received more attention from the mainstream art world. I’m currently writing a survey of social media art’s (brief!) history for Hyperallergic and as part of my research, I’ve invited a number of contemporary social media artists to a roundtable discussion on Hyperallergic’s Facebook page.
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It was Friday, April 2, and my mission was five gallery openings in one night: Postmasters in Chelsea, Flux Factory in Long Island City, Janet Kurnatowski in Greenpoint, and two Bushwick venues, Storefront Gallery and Grace Exhibition Space. It was an ambitious list to accomplish but my goal was set.
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It was a cold, snowy and slushy night in SoHo when the Brucennial opened. People were long anticipating the Bruce High Quality Foundation’s latest project which appropriated the Whitney Museum’s branding, packed a storefront retail space on West Broadway with a truckload of art, and placed almost everything up for sale.
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A continuation of the seemingly impossible task of reviewing the ENTIRE Brucennial art exhibition: 51. Sam Hayes – Reminding me of the Sharon Olds poem, The Pope’s Penis; 52. Unknown – Hula Hoop art. I have no objectivity. ROCKS! …
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Performance artist Man Bartlett is tired, has blood shot eyes and he’s doing something very American, shopping. His mission is to spend 24 hours in Union Square’s Best Buy megastore without buying anything. His biggest obstacles are sleep, security and the urge to buy shit. Will he make it?
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