MANILA, Philippines — Over the past few months, I’ve watched with envy as stunning museum shows have gone up in my old haunts in Los Angeles and New York. Thankfully, in recent months three museums have released exhibition-related apps for the iPad and iPhone. To see how they stack up, I reviewed three apps (CA Design HD at LACMA, AB EX at MoMA, Cattelan at Guggenheim) in their iPad incarnations. Here are my thoughts.
Hyperallergic rocks it in Williamsburg, Brooklyn, so naturally we felt compelled to review MGMT’s performance at the Guggenheim last night. The band, a staple of any Williamsburg playlist, performed in the rotunda of the museum as part of the 2011 Guggenheim International Gala to celebrate Italian artist Maurizio Cattelan’s blockbuster exhibition, All. The night was a glossy affair with art world insiders and rich board members and their entourages shmoozing and boozing under Cattelan’s epic sculpture web. As soon as I got to the party I had one question: where are all the hipsters at?
Maurizio Cattelan’s All explodes on impact: all noise, heat and light, followed by gradually dissipating trails of smoke. The Italian anti-artist’s anti-retrospective at the Guggenheim, as everyone has heard, hangs in toto from the oculus of the Wright ramp.
We knew Mauricio Cattelan’s retrospective at New York’s Guggenheim was going to be an attention grabber, but the installation tweeted today by the museum demonstrates that the curatorial team has taken the idea to a whole different level.
Artist Maurizio Cattelan has unveiled his latest public art project in Milan. It’s titled “L.O.V.E.” (2010), it’s 13 ft tall, it’s made of marble, it’s a hand with a giant middle finger, and it’s placed in front of the Italian Stock Exchange. Poetic, right? Meh.
New York-based artist Terence Koh has a new baby but the art world still can’t decide if it’s art or not. Some are wondering if Koh is attempting to one up artist Maurizio Cattelan and his classic “mini-me” sculpture by adopting a baby who he plans to mold into a miniature version of himself. [SPOOF]
Imitation may be the highest form of flattery but artist Mauricio Cattelan’s recent photo shoot for W Magazine has an obvious — and unattributed — reference to the work of another artist, Matthieu Lavanchy. We’re curious how that happened.
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