LOS ANGELES — QR codes are on the rise. I’ve spotted them everywhere, from subway ads (yes, we have subway ads in Los Angeles) to billboards to movie posters to business cards. And so they’ve inevitably cropped up in art.
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James Fotopulous’s charcoal drawings develop during the process of his filmmaking. They are currently on view at Microscope Gallery.
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“Would you like to see the birth?” Elle Burchill from Microscope Gallery casually offered me a spot on the list of people who would be notified of the birth of Baby X. The night of the opening of the exhibition and performance The Birth of Baby X was pretty cold. Despite the media attention that followed the news that Bushwick performance artist Marni Kotak was planning to give birth in a gallery, the turnout at the opening wasn’t any larger than the usual crowd at a Microscope Gallery opening. “Yes, please. Put me on the list,” I heard myself saying loud enough to mute the doubts and fears I had.
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There I was, sitting in a rocking chair at the Microscope Gallery in Bushwick but I felt like I was visiting a friend in her own home and we were just sitting around bullshitting. No, it wasn’t one of those snobby holier-than-thou art shacks in Manhattan. It was Marni Kotak’s show, The Birth of Baby X and the rocking chair had belonged to the artist’s mother.
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Can’t figure out how to fill up your culture diet this weekend? We’ve got your back, with Williamsburg Gallery Night going down tonight and Man Bartlett’s 140 hour-long Berlin performance streaming all weekend, plus Su Friedrich’s MICROSCOPE Gallery opening and the Seven on Seven art-tech collaborative event on Saturday.
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