George Grosz in Germany, on view at the New York Studio School Gallery, offers a rich overview of Grosz’s development as an artist and dissident.Continue Reading →
New York Studio School
There’s something in the air about art and reading. In addition to Summer Reading at The Hole, the New York Studio School is presenting a show called Reading the Space: Contemporary Australian Drawing 4.Continue Reading →
Leo Steinberg (1920–2011) was the rare scholar with the ability to alter the way we think about art, history and culture, and, inferentially, the things we create.
“The Eye Is a Part of the Mind” is the title of an essay first published in 1953 in Partisan Review and later in Steinberg’s landmark collection, Other Criteria: Confrontations with Twentieth-Century Art (Oxford, 1972).
In the essay, Steinberg seeks to “show that representation is a central esthetic function in all art; and that the formalist esthetic, designed to champion the new abstract trend, was largely based on a misunderstanding and an underestimation of the art it set out to defend.”Continue Reading →
William Kentridge was a failure. By his own account, the South African artist racked up a long list of impressive defeats before succeeding as a draftsman and animator. Before the opening of his current retrospective at the Museum of Modern Art Kentridge gave a lecture on “Drawing Lessons” at the New York Studio School.Continue Reading →