![Post image for [Sponsor] Norte Maar Presents](http://hyperallergic.wpengine.netdna-cdn.com/wp-content/uploads/2012/04/BrodmannAreas_home.jpg)
Norte Maar invites you to The Brodmann Areas, a new collaborative ballet that explores the workings of our minds through dance. The ballet will take place at the Center for Performance Research (361 Manhattan Ave., Brooklyn). Tickets are $25 ($20 for seniors/students) and can be purchased at nortemaar5.eventbrite.com.
A week ago, on the night of Friday, February 17th, two incongruently mirrored exhibitions opened on either side of the East River: Charles Atlas’ The Illusion of Democracy at Luhring Augustine’s new Bushwick outpost; and What I Know, a large group show of Bushwick artists, curated by Jason Andrew, at the New York Center for Art & Media Studies (NYCAMS) in Chelsea.
Handstand. That is just another of the items on the long list of the things Paul D’Agostino excels at doing. As a Bushwick resident since 2007, D’Agostino has actively worked to shape the art scene in the neighborhood through his countless activities. Bushwick-based nonprofit Norte Maar is currently presenting a solo show of Paul D’Agostino’s work, titled Appearance Adrift in the Garden.
So far, the debate about artistic copyright has been safely in the realm of design and photography — with certain exceptions, of course — but how will that conversation change when anything can be easily reproduced and presented without proof of origin or even the original artist’s touch?
This week, how a Caravaggio becomes “discovered” and evaluated, Christo gets the green light for Colorado, artists who seek out their harshest critics, Terence Conran, erasing a Chris Martin, escaping the digital world, Occupy Miami art schools, street art in Iran and is politics performance art?
Picture it: a skeleton with a keen eye for color paints a Zombie-pin-up-girl with severe angular outlines against a cartoonish background. What is it? It’s Ryan Ford’s “Humanary Stew” (2011) at Factory Fresh, and it proclaims the talent of the undead. This comic scene is the perfect introduction to some intriguing new work on view in Bushwick this month.
This Curator Diary is an editorial feature documenting curator and local Bushwick hero Jason Andrew’s trip to Asheville, North Carolina to mount an ambitious exhibition of work by Jack Tworkov. The column will explore the day-to-day process of curating, a behind-the-scenes look into what a curator actually does.
Artist Julie Torres hosted two months of collaborative drawing nights at Hyperallergic HQ in February and March of this year. The project generated 100 drawings that are currently on display at Norte Maar in Bushwick, Brooklyn. The resulting show, titled So Happy Together: Forty-five Artists and Their One Hundred Collaborative Drawings, opened last night during the first night of the 2011 Bushwick Open Studios.
The L Train may not be running, but that doesn’t mean we won’t be partying it up at Bushwick Open Studios this coming Friday, Saturday and Sunday. Here are Hyperallergic staff (and intern) picks for the best things to do for the open studio weekend, from artist studio visits to impromptu exhibitions and well-curated gallery show.
While most people’s Beat Nite started last Friday night, mine began the night before at Norte Maar, where artist Austin Thomas had bitch slapped surprised me with the bombshell that she took the liberty of designing the Hippie Potluck tshirts without me (“I understand, Austin, really, let me just find that voodoo doll I made of you…”) and Norte Maar and Storefront co-founder Jason Andrew decided that he wanted to try and drink me under the table. Thankfully for me, the second helped blunt the pain of the first. Needless to say, things ended up blurry that night. Ok, I think I blacked out, but those are details.
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