
This week, we’ve compiled an easy to use 2012 New York art fair reference guide. They’re all here with limited commentary but we’ve graded them out of a possible five stars based on past experiences at the fairs and buzz.
Continue Reading →

This week, we’ve compiled an easy to use 2012 New York art fair reference guide. They’re all here with limited commentary but we’ve graded them out of a possible five stars based on past experiences at the fairs and buzz.
Continue Reading →
Walking around the two-pier behemoth that is today’s Armory Show, it’s hard to imagine that this was once a scrappy upstart hotel fair. Over the course of the week, I heard various people speak nostalgically about what the Armory had been like in its early years, as if it had been some prelapsarian moment before the art world discovered capitalism. However, in a 1995 Frieze magazine survey, co-founder Pat Hearn stated bluntly that “the art fair is simply an effort to move the product in whatever way possible.”
Continue Reading →
For the past three days, we traveled to four New York art fairs to find out who are the people that attend, if they buy art and how do they judge art. The special series, Emerging Collectors at the Fairs, was sponsored by 20×200 and was comprised of a random sampling of attendees to each venue.
Continue Reading →
Over the past week, we’ve brought you an enormous volume of art fair coverage. Art fair week may be over, but just in case you missed any of the events, we have your answer here: a Hyperallergic art fair cheat-sheet, with links to all of our separate articles plus a few from other blogs.
Continue Reading →
The fourth and final in a special series sponsored by 20×200 that profiles some of the people who are attending the New York art fairs this week. The following is a random sampling of attendees at the 2011 Scope art fair on Saturday night. Here is who and what I found on a Saturday night in SoHo.
Continue Reading →
The Fountain Art Fair was parked at Pier 66 in Chelsea, floating on the water as if at any moment it could set sail for an undisclosed location. The odd cousin in the family of New York art fair week, Fountain is a quirk DIY vision of what’s happening in contemporary art today.
Continue Reading →
The third in a special series sponsored by 20×200 that profiles some of the people who are attending the New York art fairs this week. The following is a random sampling of attendees at the 2011 The Independent art fair on Friday night. Here is who and what I found on a Friday night in Chelsea.
Continue Reading →
The first thing that I noticed about Moving Image, an art fair based entirely around video works, was the relative calm. Gone were the crowds, gone were the collectors running rabidly from booth to booth, gone were the chatty gallerists and curators. Moving Image is a place to look at art and experience it one on one. It takes some time, but walking through the videos I definitely caught a few stand out pieces that would have been overwhelmed in an regular art fair display.
Continue Reading →
The second in a special series sponsored by 20×200 that profiles some of the people who are attending the New York art fairs this week. The following is a random sampling of attendees at the 2011 The Dependent art fair on Friday night. Here is who and what I found on a Thursday afternoon in Chelsea.
Continue Reading →
When the Verge art fair launched Verge Brooklyn, many Brooklyn galleries were peeved that the DUMBO-based event would take away from local galleries scenes. Why would they have to pay to be in an art fair in their own borough when Armory week was the only time they could get out of town collectors to their spaces? Even if the Verge Brooklyn fair began with a bumpy start it was able pull of something no one has tried before, an art fair in Brooklyn
Continue Reading →