This week’s Required Reading includes Tracey Emin’s gift to 10 Downing St, you too can levitate in photos, Koons as roadkill, Nike’s swoosh is 40, internet art bubble, evolution of the hipster, autobot aethetics, street art in East Timor & more.
Paddy Johnson
I figured the party couldn’t last forever. After reviews and mentions amongst the likes of the New York Times, Creator’s Project (in multiple languages), and and even a cover story in ARTnews, after my essays bounced around the world (as did I), social media art is finally taking a beating. It’s about time.
My latest thoughts on the evolving discussion about the use of social media in art and where it should (in my opinion) go.
Critic Paddy Johnson just penned a column for L Magazine about something she terms “Twitter art,” by which she means (I assume) art that uses Twitter. I often enjoy her take on new media but in regards to her treatment of Twitter-related art, I think she misses the mark. Here’s why.
Starting Wednesday, July 6, Hyperallergic will be heading to the land of Creoles and Cajuns for two weeks by Lake Pontchartrain. During the period, we’ll be handing over the reigns of the publication to veteran blogger John D’Addario. You’re in for a treat!
Last month, we learned that Paddy Johnson of Art Fag City curated a show of animated GIFs and now I’ve discovered that Lauren Cornell, the executive director of Rhizome, is selling these often trippy nuggets of Graphics Interchange Format at the 2011 New York Armory Show. Yes, that’s right. She’s a pixel pusher. Click through to see a guerrilla video interview shot on site at the Armory, featuring several of the GIFs for sale.
This week on Required Reading … Thornton Dial is getting ready for a major show in Indianapolis, Spy magazine is posted online by Google, thinking about animated GIFs as art, is the US military creating a fake online “army,” visualizing art thefts, Linda Benglis profiled in the New York Times
This edition of Required Reading has a heavy dose of California and some very critical texts.
Jon Jackson says goodbye to LA with billboards — Mike Kelley shows in LA after 8 years — Donald Kuspit tears apart John Baldessari — Paddy Johnson gives Brad Troemel the thumbs down — House Republicans hate federal arts funding
This Saturday, November 27, we’re wrapping up the exhibition portion of #TheSocialGraph with a listening party for Paddy Johnson’s “Sound of Art” vinyl. The festivities will take place 6-9pm.
Yes, you may have been to the Sound of Art launch party, bought the t-shirts, even won the Candyass football (oh wait, that was just me, nevermind) but did anyone actually listen to the damn thing? Well, we’re going to change all that this Saturday night! BONUS: party starts at 6pm and Man Bartlett’s “#24hKith” (2010) performance ends at 7pm, so you’ll get to watch the conclusion of one of his signature 24h performances with fellow art lovers before enjoying the beats.
Last Thursday, Paddy Johnson (AKA ArtFagCity) held a debut party for her ambient sound-collecting DJ battle record Sound of Art at Santos Party House, and I think our small sector of the art world collectively took the morning off on Friday. This short vacation ended with your humble writer as well as the Hyperallergic editor stumbling into work around 11am accompanied by groans and sensitivity to light. Thanks to the musicians that spun the album in their sets that night, the conclusion after the party, and post-copious LP and vodka sales, was that art sounds pretty loud, but art-partying sounds louder.
