postmodern

Museums

Being Cindy

by Ellen Pearlman on February 28, 2012

Post image for Being Cindy

Cindy Sherman’s one-woman retrospective is profound, provocative and sadly incomplete, most noticeably in relation to her earliest works despite the inclusion of the entire black and white “Untitled Film Stills” (1977-1980), the “encyclopedic roster of stereotypical female roles” that skewered the post modern discourse on photography right through its kabobs.

Continue Reading →