Post image for Voodoo, Abstraction, and a Haitian Artist in Paris

PARIS — The art in Hervé Télémaque’s Centre Pompidou retrospective floats between Port-au-Prince, New York, and Paris.

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Post image for Kehinde Wiley’s “Politics of Perception”

The California-born, Yale-educated, Brooklyn-based painter Kehinde Wiley is an oddly polarizing artist, whose massive figurative paintings inspire both rage and adoration from his viewers.

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Post image for Breaking Down the Demographics of the New Whitney Museum’s Inaugural Exhibition

We took a look at the cultural and gender breakdowns of all the artists in the Whitney Museum’s inaugural exhibition in its new building to assess how fresh these perspectives really are.

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Post image for As Brazilian Art Trends, the Country’s Racism Comes to the Fore

As a Brazilian who has lived in the US for the past 10 years, I’ve found Americans’ growing enthusiasm for Brazilian culture and politics both welcome and bothersome.

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Post image for Kenneth Goldsmith Remixes Michael Brown Autopsy Report as Poetry

This past weekend, at a conference called Interrupt 3 at Brown University, poet Kenneth Goldsmith read Michael Brown’s St. Louis County autopsy report as a poem.

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Post image for The Hypocrisy of the Artistic and Critical Left

It’s time for us to ask why the industries with some of the loftiest ideals and the most vocal commitments to progressivism still far so far short of reasonable expectations.

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The Many Faces of Eleanor Antin

by Alexis Clements on November 29, 2013

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Let me introduce you to a few of the many selves of Eleanor Antin, as they are represented in the show Multiple Occupancy: Eleanor Antin’s “Selves,” currently on view at the Wallach Art Gallery at Columbia University.

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The Controversies of Kara Walker

by Lucy McKeon on March 19, 2013

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A photograph of Obama behind a podium hangs below the image of a glaring white cross, aflame. Black-and-white figures taper down the wall unceremoniously, but beautifully balanced amid scuffs and marks. This is a photograph of the artist Kara Walker’s studio wall, and she’s showing us the process by which her latest controversy was created.

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Post image for A Black Outsider Artist in a White Art World

I recently went to the National Arts Club to watch All Me: The Life and Times of Winfred Rembert, a documentary about a 68-year-old African-American outsider artist, which is currently being screened at various locations in New York.

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Outsider Culture Writ Large

by Ben Valentine on October 11, 2012

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BERKELEY, California — As the grand finale for SFMoMA’s exhibition, Stage Presence, which delved into the theatrical of contemporary art, Rashaad Newsome performed “Shade Compositions” (2005) in Haas Atrium, just inside the museum’s entrance, on October 4. “Shade Compositions” has been an ongoing performance that began with documentation of particular noises and gestures associated with and performed by African-American women. The original performers were entirely African-American women, but Newsome has since expanded his subject matter to cast a different conversation about outsider culture writ large.

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