Ray Johnson


Cut, Paste, and Blossom

by Anthony Cudahy on September 21, 2015

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In 1936, the Museum of Modern Art showcased a project by the famed photographer Edward Steichen that featured work not in his expected medium, but Delphiniums he had bred himself at Umpawaug, a farm he owned in Connecticut.

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I Is an Other: The Mail Art of Ray Johnson

by Tim Keane on August 22, 2015

Ray Johnson in his Suffolk Street apartment, 1967

Ray Johnson disappeared near Sag Harbor just over twenty years ago. But if we refer to the artist by the art, he’s still among us.

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Todd Bourret, “Boarded Up (8 Plank Variation #2)” (2015)

There’s a bit of curatorial sleight-of-hand in I Dropped the Lemon Tart, the summer show at Lisa Cooley on the Lower East Side. The title refers to a real-life mishap in a restaurant kitchen where imminent culinary fiasco turned into a triumph of pluck and invention.

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Post image for 10 Stellar Culture Documentaries the Oscars Snubbed

Here is my roundup, not only of films from the last year but of the past decade. These are films that you may have missed in theatres, never saw because they got a one week showing in NYC and LA and nowhere else, or that were simply too far below the radar.

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Post image for Man of Letters: Ray Johnson Art in Motion

While the increased availability of Ray Johnson’s letters, notes, and statements subtilizes our understanding of this legendarily well-connected yet enigmatic artist, his flattened logorrheia is also just fun to read.

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Post image for Underrecognized, Bowie’s Glam Drives a Retrospective of 1970s Art

BRIGHTON, UK — For several decades now we have been laboring under the impression David Bowie is a pop star. But a new show at Tate Liverpool puts Bowie where he firmly belongs, as a central figure in art. It proves the pioneering musician is also a muse, a performance artist, and a conceptualist all rolled into one.

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A Loose History of Misbehaving

by Howard Hurst on August 16, 2012

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Curated by Scott Hug, B-Out at Andrew Edlin Gallery, weaves together over 100 artists into an imaginative installation that illustrates a partial and subjective history of what it means to create outside the norm.

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Required Reading

by Hrag Vartanian on August 14, 2011

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This week, architect Frank Lloyd Wright talks about the corner window, which he says is “an idea conceived early in my work that the box is a fascist symbol,” the mess that Mark Rothko’s suicide created, the first signs of street art about the UK riots, discovering work from the master of correspondence art, even the treat of death won’t deter copyright infringement, Doris Salcedo on memory in art, more detailed plans for Apple’s new HQ and a geographically accurate map of the London tube.

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Post image for Mail Art Bulletin: No History, Only a Present

As we dig through our Mail Art Bulletin submissions, our participants have taken to constructing a history of Mail Art through correspondence. We received three envelopes with references to Ray Johnson, the godfather of mail art.

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