BRIGHTON, UK — For several decades now we have been laboring under the impression David Bowie is a pop star. But a new show at Tate Liverpool puts Bowie where he firmly belongs, as a central figure in art. It proves the pioneering musician is also a muse, a performance artist, and a conceptualist all rolled into one.
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Curated by Scott Hug, B-Out at Andrew Edlin Gallery, weaves together over 100 artists into an imaginative installation that illustrates a partial and subjective history of what it means to create outside the norm.
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This week, architect Frank Lloyd Wright talks about the corner window, which he says is “an idea conceived early in my work that the box is a fascist symbol,” the mess that Mark Rothko’s suicide created, the first signs of street art about the UK riots, discovering work from the master of correspondence art, even the treat of death won’t deter copyright infringement, Doris Salcedo on memory in art, more detailed plans for Apple’s new HQ and a geographically accurate map of the London tube.
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As we dig through our Mail Art Bulletin submissions, our participants have taken to constructing a history of Mail Art through correspondence. We received three envelopes with references to Ray Johnson, the godfather of mail art.
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Don't You Understand, I'm an Artist!
Dolphins Rape People?
Watch an Artist Have a Meltdown and Destroy a Canvas With Panache
The Whitney Museum's New Logo Goes Nowhere
Watch Out, Art World: Amazon Is About to Start Selling Art
Can Rectal Realism (and Other 1970s Art) Inspire?
A View from the Easel
The Bermuda Triangle of Art
Images Worth a Dozen Words
Overheard in the Art World
Beer with a Painter: John Walker
No Supper for You! Ai Weiwei Goes Heavy Metal
