Social Media

Reactor

Chat Bots and Big Data

by An Xiao on December 16, 2013

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OAKLAND, Calif. — With our data-driven lives, so much of what we do can be seen through the lens of algorithms.

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Reactor

Going Private: From WeChat to SnapChat

by An Xiao on December 4, 2013

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Around this time last year, Instagram caused a flurry after attempting to change its terms of service — what the Globe and Mail’s Russell Smith called “an apparent move to appropriate and sell every user’s photos.” Smith pondered how growing awareness of the public documentation of our private lives will play out.

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Articles

Artists Auction Their Facebook Profiles

by An Xiao on November 19, 2013

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Organized by Bailey, Mathé and Hunt, a one-day event placed artists’ social media profiles up for bidding.

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Post image for A Look at the Social Media Impact of #BanksyNY Residency

Editor’s Note: Post-#BanksyNY residence, we turned to our number cruncher, Zachary McCune, to analyze the social media impact of the Banksy residency.

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Post image for The New Digital Puritans: Social Network Censorship #NSFW

Reuben Negron, an artist who lives and works in Connecticut and New York, is best known for his realistic watercolor depictions of intimate moments, ranging from the raw to the vulnerable. His scenes often give me the impression of looking in a mirror. Negron’s series This House of Glass, “an intimate exposé on what we keep hidden from others – and in many cases, what we hide from ourselves,” and Dirty Dirty Love, an exploration of “sex, sexuality and identity as concepts … [through] interactions with individuals and couples in domestic and private settings,” were both shown as separate solo exhibitions at Like the Spice Gallery in Brooklyn.

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Post image for Woman Arrested for Instagramming Street Art

20-year-old artist Jennifer Pawluck was arrested Wednesday morning at 10:30am after posting a picture of anti-police street art on her Instagram feed a few days before.

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Essays

The Social Ties That Unbind

by An Xiao on February 25, 2013

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Editor’s note: This is the second in a series of commissioned essays for The World’s First Tumblr Art Symposium on Saturday, March 9, 2013.

When I sent my first email in the 1990s, the internet was just beginning to hit the mainstream. The idea that we would use the internet to talk to friends we knew offline had yet to take off. Most of the nascent social web culture, from usenet to telnet to AOL chat rooms, consisted of socializing largely with strangers. These strangers might eventually become friends, of course, but they’d start out as strangers in the purest sense of that word. At the outset, you didn’t even know their name, age, location, perhaps not even their gender.

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Post image for A Transcendental Look at Humanity Through Social Media

Go to vinepeek.com. Spend five minutes watching it without tearing up, feeling overwhelmed by humanity’s vastness, and becoming totally addicted. I dare you.

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Post image for Vine Is the Latest, Greatest Form of Web Kitsch

By now you may have heard of Vine. If you’re on Twitter at all, you’ve definitely heard of and/or seen it. You may not have actually used Vine, but you probably will soon — it’s the newest multimedia format to hit social networks, a more complicated version of a GIF or a simplified version of a home movie.

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Post image for The Social Media Footprint of Ann Hamilton’s Park Ave Armory Installation

Did you share a quick Instagram at Ann Hamilton’s “Event of a Thread” (2012)? You were not alone. At the end of the exhibition, visitors had shared 4,640 photos.

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