
Street artist Above intended to make a strong anti-blood diamond statement with a mural on the facade of Johannesburg’s largest diamond exporter but it just sounds sexist.


MIAMI — With all the visual overload and glimpses between suited shoulders it’s hard to find something that resonates amongst the Lego blocks of art fair booths at the main fair of Art Basel Miami Beach. With over 260 galleries and over 2,000 artists of which I probably saw half and absorbed a twentieth, it feels like an accomplishment to come away with an artwork that truly resonates days after.

Artists who live and make work in regions that have little to no art infrastructure often have the freedom to be creative, experimental and reactive without the boundaries that accompany exhibiting work in formal spaces. But there’s also a significant divide between achieving a sustainable art career at home and reaching the point of exhibiting and selling one’s work in the global art market.

William Kentridge was a failure. By his own account, the South African artist racked up a long list of impressive defeats before succeeding as a draftsman and animator. Before the opening of his current retrospective at the Museum of Modern Art Kentridge gave a lecture on “Drawing Lessons” at the New York Studio School.