Last night, Manhattan’s Guggenheim Museum was transformed into a futuristic new media award’s show venue as the finalists of the first Play: A Biennial of Creative Video biennial were announced to a crowd of Google, Intel, HP, Guggenheim employees (all sponsors of the event), artists, and new media types who were wow’d by the large projections on the interior and exterior of the Fifth Avenue landmark.
Architect Frank Lloyd Wright could’ve never predicted that his building would serve as an ideal screen for a 21st Century online video awards show but it was the ideal venue for the whirlwind of projections that provided the backdrop for a livestreamed event prepared by the online video giant, YouTube.
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This month we add another 20 to the growing list of the Powerless 20 we published last year to mark the painful rite of passage that is Art Review’s hilarious Power 100 list.
Here’s to hoping you’re not on it!
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The Museum of Modern Art’s Abstract Expressionist New York: The Big Picture, an ambitious exhibition that (kinda) rethinks the standard narrative of Abstract Expressionism (aka AbEx), has been open since October 3. The show complicates things by reintroducing us to artists not entirely within the AbEx canon, putting old favorites in a new context and shining a spotlight on the people and places of AbEx.
The question is: did MoMA and its curators accomplish their goal? We turn to the internet at large for a look at how people have reacted to the exhibition!
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In a weeklong series, critic and journalist Tyler Green is exploring the attribution of some of Eadweard Muybridge’s images and the possibility that they were in fact from other photographers, such as Muybridge’s friend and rival Carleton Watkins.
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On Tuesday, Tyler Green announced that he was leaving his 8 1/2 year stint at ArtsJournal for the mainstream art media world of Louise Blouin Media’s ARTINFO and Modern Painters. The news came as a surprise to many who view Green’s online voice as a cornerstone of the indy art blogosphere. Yet the veteran art blogger — though he dislikes the label — doesn’t expect to change what he already does. The following is the first interview with Green since the big news came out.
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This morning, a pioneer of the indy art blogosphere Tyler Green of Modern Art Notes announced – with the help of artist William Powhida – that he will be joining Modern Painters as a columnist and Artinfo as a blogger. But it’s worth noting that this isn’t the only major news announced by Louise Blouin Media.
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Modern Art Notes’ Tyler Green has a knack for wonderful ideas that create entertaining conversations about art, lest we forget his tweet that lead to the Super Bowl bet between the New Orleans Museum of Art and the Indianapolis Museum of Art. Like the footbal bet, his latest idea also combines his two loves, sports and art, to create what he is calling, “The Greatest Living American Abstract Painter Tourney-ish.”
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The war of words between two major New York art critics escalated yesterday when Saltz used his very public Facebook wall to shoot back at Yau for the Brooklyn Rail art editor’s accusation of Saltz being a Koons apologist.
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