LOS ANGELES — In an age when stories are regarded as “impressions” and TMZ serves a source of reportage, how does a four-hour 18th-century comedic opera manage to be relevant and interesting? The Los Angeles Philharmonic has reinvigorated the genre by inviting luminaries in architecture and fashion to add their take to the story.Continue Reading →
In recent years, the connections between architecture, art, and design have, in many cases, become inextricably bound to another in a kind of symbiotic relationship. For some observers, architecture appears relevant to the twenty-first century only when it emulates an abstract sculptural presence.Continue Reading →
Earlier today, the Pritzker Foundation named Shigeru Ban as its 2014 Laureate. Focusing on his work in disaster relief, the nine-person jury praised his interventions in places such as Rwanda, Haiti, India, China, Italy, and his home country of Japan — Ban is the third Japanese architect in the past five years to win the award.Continue Reading →
Starchitect Zaha Hadid’s statement this week to a British newspaper suggests that she is severely lacking in the conscience department.Continue Reading →
Originally designed as a separata to be included in a larger publication, The Light Pavilion captures the seven years that lead up the only built work of visionary architect Lebbeus Woods (1940–2012).Continue Reading →
Responding to a research on discrimination against women architects, Zaha Hadid, one of the top female architects and the first woman to be honored with the Pritzker Prize (an incredibly prestigious award in the industry), has stated that she herself experienced difficulties in working in the United Kingdom. In an interview with the Observer, she stated: “It is easier for me in European countries than it is here [in London]. There is a different dynamic. In the UK it is more difficult. They are very conservative. There is a skepticism and more misogynist behaviour here. Although, while there were people against me, there were also people living here who were incredibly supportive.”Continue Reading →
In Chinese, there’s a contemporary slang term, shanzhai, which refers to imitated or pirated brands or goods like fake purses and DVDs (or even books) that are a little too cheap to be real. Shanzhai culture has gone one step farther with a copy version of architect Zaha Hadid’s curvaceous new commercial complex in Beijing under construction by “pirate” architects, reports Der Spiegel.Continue Reading →
Architectural criticism takes to the streets in this video walk through of starchitect Zaha Hadid’s new opera house in Guangzhou, the capital of Guangdong province in China. Wandering through the structure’s alien curves and strange spaces, Guardian architecture critic Jonathan Glancey explains how the opera house combines high-concept intellectualism with populism, showing how audiences interact with the space and interviewing an effusive (not to mention operatically dressed) Hadid.Continue Reading →
There’s no point in giving you a “review” of the mothership of art fairs in Miami, Art Basel Miami Beach, so I thought a photo essay with some observations were more appropriate.
I admit that I got a little bored after three hours of wandering around. I found myself seeing the same thing and getting the same numbness I get during marathon holiday shopping trips or walks through ancient souks … there’s only so much merchandise you can see in one stop.
It was still refreshing to see some galleries display the prices of their wares freely, and examples of excellent abstraction by names mostly absent from the art history survey books, but I was most shocked to discover what must be the most awful Basquiat I have even seen in my life.Continue Reading →
This month we add another 20 to the growing list of the Powerless 20 we published last year to mark the painful rite of passage that is Art Review’s hilarious Power 100 list.
Here’s to hoping you’re not on it!Continue Reading →